I don't really feel that it's right to criticize Craig Kinsey's American Roots and Machines as an album. It doesn't really feel like one aside from the fact that it is a CD that goes round and plays music. Instead, Kinsey has gone to great lengths to build a stage in your mind, and the record plays more like a film for the ears.
Photo courtesy of Zenhill Records
One of the keenest sentiments expressed on the album comes from "I'm Not Part of a Scene." It's a raging, hard rockabilly rant against norms and genres and his refusal to be a part of either. Honestly it's a bit juvenile, though eloquently expressed, and also completely sincere. Never let it be said that Kinsey is afraid to dance outside of his comfort zone.
Song styles on Machines run from pure Southern gospel to straight blues and even into the occasional rock piece. Kinsey even pulls out aspects of opera on the brief but fun "Puccini's Drunk Again," which frankly scans closer to Kurt Weill to these ears. But that might actually be the joke, and maybe I'm too thick to get it.