Play Ball! Baseball Songs Even A Non-Sports Fan Can Love

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Sports aren't really She Said's thing, though she does like to watch games where there's a lot at stake emotionally (Super Bowl XLIV) and she nearly always roots for the underdog. Mostly, she really enjoys the speed of college basketball, and the nostalgia of baseball.

She Said's dad is by no means athletic in the traditional sense, but he was a kid in the 1960s, a time when baseball represented everything that was wonderful about America, and She Said can picture so clearly her dad as a blonde, buzz-cut boy, baseball in hand. It's one reason she loves the movie The Sandlot so much -- it's like a secret glimpse into her father's early life. He loves it too, by the way. For She Said, baseball represents America. It represents summer. It represents the simpleness of earlier times.

Next week is the 'Stros 2010 opening game, which illustrates another aspect of baseball - the idea of hope. By all accounts, this year will be a... how shall we say... rebuilding year. In other words, don't get your playoffs hopes up. But lo, how many Cubs fan sat in abject horror as year after year the Curse of the Goat got their goats. Houston will always love the Astros, no matter how many new players join the Killer Bs.

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Play Ball! Songs That Distract Us From The Astros' Impending Disappointment

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This week's He Said She Said is brought to you by the Houston Astros and the letter "D," which stands for disappointment. No other thing in He Said's life, other than a woman, has brought more sadness and dysfunction. But at least the Astros have never broken off an engagement with us or punched us in the mouth for looking at a bartender for too long.

Alas, the Astros begin another season in earnest this coming Monday evening against the San Francisco Giants. At this point, He Said and the Astros can be best described as "friends with benefits." He Said hits up the games with some buddies carrying full flasks of whiskey, and we end up drunkenly declaring our love for the team even as they are mired in a bad seven-run deficit. But then we don't care about them until we go to another game.

After some games, we unsoberly call up our tattoo artist to try to make an appointment to get an Astros tattoo, but our friends hold us back. They say, "That's like getting your wife's name on you for life." Wives leave you and cheat on you, but at least the Astros have stayed in the same place - the middle - since we were born, without fail.

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Can't Forget The Motor City: Our Favorite Motown Jams, Part 2

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Rocks Off - sorry, He Said; we're still getting used to this whole identity-shift thing - is sure some of our readers think we do nothing except sit around and listen to the Drive-By Truckers all day. To which we say: Have you heard Bettye LaVette's The Scene of the Crime or Booker T's Potato Hole? That band has more soul than all of Majic 102's playlist put together. OK, maybe not Sade. Or Mary J.

Our point is, we enjoy all types of music, but few more than classic '60s and '70s soul and R&B. So when we found out that today was the 25th anniversary of the Motown 25: Yesterday, Today & Forever TV special (hosted by Richard Pryor!), we could think of no better way to make our He Said debut than sinking our teeth into the Detroit - which we will always pronounce DEE-troit, like every good Texan - label's formidable catalog.

He Said made out our list before we looked at She Said's - we didn't want to cheat - but we're sure she'll agree that "My Girl," "I Want You Back" and "Where Did Our Love Go?" are only the tip of Motown's iceberg. Return with us now to the days when "The Sound of Young America" grew up, grew out and grew deep.

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Can't Forget The Motor City: Our Favorite Motown Jams

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She Said has always been a fan of Stax Records, the gritty Southern label started by a white brother-sister team in a movie theater in Memphis. Something about Stax' organic sound and integrated musical influences (this is the same city that gave us Sun Records) had always felt so raw and real. Motown, on the other hand, always seemed so cleverly manipulated to appeal to white audiences, contrived almost, and lacking the magnetism and je ne sais quoi that artists like Booker T. and the MGs and Arthur Conley had down in Memphis.

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He Said She Said: Did We Shave Our Legs For This? More Cornball Country Comedy

Not all country music has to be about down-and-out truck-driving lifestyles, D-I-V-O-R-C-E, abusive husbands and the dissolution of the American Dream. More than any other genre, country lends itself so nicely to parody and self-satire. The best country music is self-referential, where the artist knows he or she is poking fun at an archetype. Maybe that's why She Said likes Dale Watson and Junior Brown so much - their ability to write countless songs about the same old country trope, as if the joke never gets old.

Below, some of She Said's favorite funny country songs.

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He Said She Said: "Dear Penis" And Other Country Comedy Classics

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Aside from all the epic cheating, drinking and fighting songs country music has given us, one of the best things it does is make us laugh. Apart from all the crying and cussing, there is a whole deal of laughing going on.

This year at RodeoHouston, there aren't many performers on the humorous side, unless you think Darius Rucker doing Prince's "Purple Rain" is gut-busting, or you giggle at the fact that Rascal Flatts gets paid to stand in front of a crowd and desecrate all music, not just country. We could just load up five Flatts videos as our list, but we love you readers too damned much to hurt you like that. And don't even bring up the Blue Collar Comedy Tour. The only one of those guys we would party with would be Ron White. That douchelord Jeff Foxworthy has caused us nothing but misery and tears for the past 20 years.

Blame the genre's inherent storytelling aspect and down-home attitude for the way some songs can make even the most hardened of us grin like idiots. Some of He Said's earliest country memories are the goofy things that people like Ray Stevens were doing throughout the '80s. We even grew up on reruns of classic country comedy television like Hee Haw and the Beverly Hillbillies through Nick At Nite and some of the country cable channels.

Here are He Said's five favorite country side-splitters. Predictably, we had to sneak one Ray Stevens song on here, and we went the blue route and dialed up some Rodney Carrington for you. It was worth it.

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He Said She Said: Just A Few Ole Country Boys, Part 2

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She Said's taste in county music leans towards the quaint. She's never been a fan of modern Nashville glitz, preferring instead the subversive '60s country from artists like Merle Haggard and Johnny Cash that her grandfather loved, and the cowboy ballads her great-grandfather and his farm hand used to sing on their cattle ranch in the panhandle town of Booker, Tex.

Much of She Said's favorite country songs are colored by these facts: She grew up in Oklahoma, her father was a California hippie, and when She was five years old her best friend was a genuine, real-life, 70-year-old cowboy named Grover Cleveland Jones.

Which leads to a bit of an eclectic mix. For example, "Friends in Low Places" is exactly the kind of Nashville over-production She Said can't stand, but it's also about gettin' drunk and tearin' shit up, that rebellious flavor that's so appealing. And? Garth Brooks is an Okie hero. So there ya go.

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He Said She Said: Just A Few Ole Country Boys

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For some reason whenever He Said and She Said are mulling over topics for each week of this little featured weekly blog, we always find ourselves either biting off more than we can chew, or absolutely stumping ourselves. Some topics are easier to cobble together ten songs for while other times He Said finds himself beating his head against the wall thinking of the perfect track.

In honor of RodeoHouston, we set out to make a few country-music lists, seeing that the whole city of Houston is atwitter over all things barbecued, fried, snake-skinned or garishly lit over off Kirby. Last week we flung out our favorite female-sung country songs, and this week we present to you our favorite male country songs. That may sound like an oxymoron to some of you, but believe us there are distinct differences.

We feel kind of weird for going through a country period right now, seeing that we are surrounded by journalists who are veritable Jedis when it comes to the genre. It sort of makes us feel like being freshmen all over again in high school and trying to talk to the senior punks about The Clash and The Misfits.

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He Said She Said: Our Favorite Lady Country Singers, Part 2

As much as He Said bows at the altars of guys like Johnny Cash, Billy Joe Shaver, George Strait, and Ernest Tubb, we have always had an affinity for female country songs. Their songs have as much grit and gristle as anything a man can dish out, and in the early days it wasn't such an easy task for a woman to be as forward artistically or lyrically.

The pioneering country ladies were fighting oppression through their music little by little. They wrote songs about personal freedom, self-respect, and dignity in the face of the outright goon behavior of the men in their stories. Things like the riot grrl scene in the '90s had a great deal of debt to the Loretta and Tammy.

Even the new gals on the block like Taylor Swift and Carrie Underwood, who can still both be loosely defined as country (we guess), show a great deal more self-reliance in their voices than most girls their same age in other genres. The Dixie Chicks exhibited more testicular fortitude in two songs than most fey indie bands do over two albums.

Another reason He Said thinks he enjoys female country singers is the fact that it allows him into a foreign world he isn't privy to. When we were younger, we always remember hearing our mother blaring her favorite girls like Reba McEntire, Trisha Yearwood and Lorrie Morgan to get her frustration out when she and He Said Sr. would have a fight.

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He Said She Said: Our Favorite Lady Country Singers

What's that joke about country music? That if you play it backwards, the singer gets his car back, he gets his wife back, and he gets his dog back? There's a particular narrative in country - men's country, at least - that lends itself to formulaic and often-times jingoistic sentiments that have never really appealed all that much to She Said.*

Women, on the other hand, seem to write country music from a broader range of emotion and experience. With a genre as intensely emotional and sentimental as country often is, it makes perfect sense that women would excel at it.

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