Mike Rutherford's Living Years in Genesis Had Many Revelations

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Photo by Andrew St.Denis/Wikimedia Commons
The Living Years: The First Genesis Memoir
By Mike Rutherford
Thomas Dunne Books, 256 pp., $25.99.

While best known as the guitarist (and sometimes bassist/guitarist) for prog rockers-turned-pop-sensations Genesis, Rutherford takes the title of his autobiography from the 1988 hit of his offshoot group, Mike + the Mechanics.

Guaranteed to make grown men weep, the song and its familiar chorus is about the often stiff emotional relationship between fathers and sons (which, it seems, transcends national borders), and the importance of actually expressing love "before it's too late."


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Ex-Grateful Dead Manager Has Quite a Tale

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www.dead.net
Grateful Dead guiding light Jerry Garcia (seated) and Mountain Girl at an Egyptian cafe, 1978.
Richard Loren was a button-down, straight-laced, business-minded recent college graduate in 1966 when, as manager of a company that staged musicals in large tents, he handled a string of shows by razzle-dazzle piano man Liberace.

Impressed with his skills, the piano man hired him, which led to another job as a booking agent. And that led to a wild ride through the '60s and '70s, which would find Loren rubbing shoulders, sharing airplane rides, and passing joints with the likes of the Jefferson Airplane, the Doors and the Chambers Brothers.

And, after a stint as the personal manager of Jerry Garcia's solo career, he would be the Grateful Dead's manager from 1974-81.


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The Grateful Dead's Journey Is Far From Over

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Don LaVange via Flickr
The cover art of the Grateful Dead's Winterland 1973: The Complete Recordings three-LP set
No Simple Highway: A Cultural History of the Grateful Dead
By Peter Richardson
St. Martin's, 384 pp., $26.99

With 2015 marking the 50th anniversary of their formation, expect a lot of attention paid this year to the musical and cultural legacy of the Grateful Dead. The four surviving members of the classic lineup (Bob Weir, Phil Lesh, Bill Kreutzmann and Mickey Hart) have announced a "that's all, folks!" series of final shows under the banner of "Fare Thee Well" July 3-5 at Chicago's Soldier Field.

According to a published report, the band has already received requests for 350,000 tickets even though the capacity for all shows is just under 200,000 -- and that's just from their in-house mail order service. Phish's Trey Anastasio will fill in on guitar and vocals for the late Jerry Garcia, and Jeff Chimenti (keyboards) and previous Dead compatriot Bruce Hornsby (piano) will augment the lineup.


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Marky Ramone Gabba Gabbas Away in New Memoir

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Ventura Mendoza via Flickr
Marky Ramone in 2008
In his Band of Bruddahs, Marky Ramone's primary role was that of drummer, the pounding heartbeat and engine of so many of the legendary punk-rock group's numbers. But over many years in meetings, rehearsals, recording studios, concert stages and countless miles on the road in their trustworthy van, he also had another occupation: constant mediator between his lead singer and guitarist.

Acrimony had always been thick between Joey and Johnny Ramone, a pair that was on opposite of ends of the spectrum in politics, temperament, hygiene and punctuality. Not to mention musical direction. Oh, and Joey's girlfriend also left him for Johnny; the couple later married.

So Joey and Johnny Ramone had not spoken a word directly to each other in nearly 15 years. And when they needed to communicate with each other, they did it through Marky.


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Groundbreaking Stones Book Delivers Hard Truths of 1969 Tour

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This album, Beggar's Banquet, was relatively new when author Stanley Booth began following the Rolling Stones on the band's 1969 tour.
The True Adventures of the Rolling Stones
By Stanley Booth
Chicago Review Press, 416 pp., $18.95

Reissued for its 30th anniversary -- though it chronicled events that took place 15 years before that -- The True Adventures of the Rolling Stones is, simply put, one of those essential texts of music journalism.

Groundbreaking, insightful, funny and tragic, it's a piece of reporting that could never take place today. And from a journalist whose level of access to the band seems shocking in a time when the norm today to interview rock stars is a 15-minute phoner, scrunched in among a dozen other journo talks and with a publicist listening in on the other end of the line.

Georgia-bred music scribe Booth first met and talked to the Stones in 1968 while on assignment, some months before the death of founding member Brian Jones.

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#GamerGate Journalist Milo Yiannopoulos's Self-Published Poetry Book Contains Unattributed Tori Amos Lyrics

Categories: Get Lit

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A screencap from the official music video for Tori Amos's "Crucify"
Brietbart journalist Milo Yiannopoulos has been one of the more prominent names in the #GamerGate movement, writing numerous articles regarding "SJW types ruining every platform they touch". He also self-published a book of poetry in 2007 called Eskimo Papoose under the name Milo Andreas Wagner, but it turns out that it may not be so much a work of poetry as a bizarre mix tape of Tori Amos lyrics.

The contents of the book were shared by former football punter Chris Kluwe, a noted opponent of #GamerGate, via Storify with supplemental commentary. Reading through the pages a dedicated Tori fan will notice some of her more famous lines appearing in the poems.

In the second chapter of "Nympholepsy, Part 1" appears the line "I was looking for a Saviour / Beneath these dirty sheets", which is a misquoted part of the chorus from Tori's "Crucify" from Little Earthquakes. In "Sword of Vengeance" he uses the line "Muhammad my friend / I'm getting very scared" from Boys for Pele. Other poems pull lyrics from "Sparks" and "Blood Roses", all without attribution.

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Gil Scott-Heron's Legacy May Not Be Televised...But It's Written Down

Categories: Get Lit

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Courtesy of Gary Price/St. Martin's Press
Musical visionary Gil Scott-Heron (right) and friend/collaborator Brian Jackson hanging out in the early '70s.

Gil Scott-Heron: Pieces of a Man
By Marcus Baram
320 pp.
St. Martin's Press
$26.99

Like pretty much every other musical genre, rap and hip-hop have many musical "fathers," with various groups and individuals claiming full (or partial) paternity. DJ Kool Herc, Grandmaster Flash and the Furious Five, Melle Mel, Afrika Bambaataa, and the Sugar Hill Gang are often listed on the birth certificate.

But others point to Gil Scott-Heron as the Baby Daddy, as the R&B/soul/jazz vocalist, spoken-word poet, journalist and novelist's albums of the '70s featured a lot of sonic themes and rhythms that would find their way into rap and hip-hop. Along with decidedly familiar themes and lyrics of black empowerment, disenfranchisement and culture.

Pieces of a Man tells the roller-coaster life and music journey of a fresh-voiced musical pioneer and cultural soldier who made a huge impact with his early work. Only then to fritter away much of the last few decades of his life in the grip of cocaine and crack addiction, erratic behavior and concert no-shows before dying in 2011 at the age of 62.

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Carlos Santana Searches for the "Universal Tone" in Life and Music

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The Universal Tone: Bringing My Story to Light
By Carlos Santana with Ashley Kahn and Hal Miller
544 pp.
Little, Brown
$30

Legendary guitarist and Rock and Roll Hall of Famer Carlos Santana vividly remembers when he realized a particular power of the instrument in his hands.

It was when he was a teenager playing backup music to the main attractions in a strip club and one patron's girlfriend - overpowered by the tones - began taking off her own clothes in the audience.

"That's when I realized," he writes in this memoir, "that a guitar could talk to a woman."

From the profane to the sacred, he also believes in the power of music - and in particular the "Universal Tone" of the title - to mystically bring people together and show them a higher level and power.

"I used my guitar to invite people to recognize the divinity and light that is in their DNA," he continues. The Universal Tone being the "music inside the music" and "one note to communicate with all hearts," bringing a slice of heaven to the mortal flesh.

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The Man Who Knows All the Classic-Rock Greats' Secrets

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Photo by Ethan Russell/Courtesy of Blue Rider Press
Glyn Johns and the Rolling Stones' Mick Jagger contemplate a song at Olympic Studios in 1970.
Sound Man
By Glyn Johns
Blue Rider Press, 320 pp., $27.95

Imagine that this is your work schedule for a few days in 1969: Meeting up with the Beatles, who are recording Abbey Road at the studio of the same name. Then slipping over to Olympic Studios to work with the Rolling Stones on Let It Bleed. Then back to Abbey for more time with the Fabs, before wrapping things up that night recording a live Jimi Hendrix concert at the Royal Albert Hall.

That was the real-life drill once for Glyn Johns, the sound engineer/mixer/producer whose name is well-known to classic-rock liner-note readers. Johns has also helped to craft some of the genre's best-known hits from other acts including Led Zeppelin, the Who; the Eagles; Bob Dylan; Neil Young; Eric Clapton; Joe Cocker; Humble Pie; Steve Miller; and Crosby, Stills and Nash, to name a few.


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Fab New Book Examines The Beatles' Magical Lyrical Tour

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Photo by Mirrorpix/ Courtesy of Little, Brown
The Beatles with Hunter Davies (left) and the Maharishi on a train to Bangor, India during their 1967 pilgrimage.

The Beatles Lyrics
Edited by Hunter Davies
Little, Brown, 384 pp., $35

As Beatles author, scholar and personal friend Hunter Davies recently told CBS Sunday Morning in a segment about this book, for being multimillionaires who made their fortunes from writing songs, the band members never seemed to actually have any paper around.

So whenever and wherever inspiration struck, John, Paul, George and Ringo would scribble words on whatever surfaces were available: hotel stationary, napkins, the backs of envelopes and business correspondence, and in one case, a child's birthday card.

Davies -- who wrote the band's only authorized biography and became a friend -- has collected more than 100 of these precious remaining handwritten working and final drafts from museums, collectors, band associates and sources all over the world. They are reproduced here, along with printed lyrics and his analysis of the 182 total original songs the band released in its original lifespan.

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