The Best Concerts In Houston This Week: Phosphorescent, The Dodos, Toro Y Moi, etc.

Photo by Barry Sigman
John Egan
The Big Easy, October 7

Solo bluesman John Egan sings in a tone that suggests someone is constantly walking over his grave, and his lyrics are loaded with bad mojo like nature gone haywire and apocalyptic visions. All he needs live is his National Resonator, one of those shiny silver guitars that sting and snarl. CHRIS GRAY

Photo by Dusdin Condren/Courtesy of Dead Oceans
Fitzgerald's, October 8

Phosphorescent, the outfit based around singer-songwriter Matthew Houck, puts a shaggy spin on the old simple-folk-song/elaborate-pop-arrangment duality. Already rootsy, Houck doubled down on 2009's To Willie, a lovingly wrought collection of Willie Nelson covers like "Too Sick to Pray" and "Pick Up the Tempo," and kept right on cruising in that country-rock direction on 2010's Here's to Taking It Easy.

In March of this year Phosphorescent returned with Muchacho, a suite of latter-day Laurel Canyon mysticism that mingles copious electronic effects and chorale-like passages with Houck's familiar thinking-man's twang. With Shakey Graves. CHRIS GRAY

Rick Lee & the Night Owls
The Hideaway on Dunvale, October 8

We got to partake in the pleasure that is the Hideaway on Dunvale for steak night one Tuesday, and it included the magical blues stylings of Rick Lee & the Night Owls. Lee and his band do ZZ Top, Bobby "Blue" Bland and B.B. King covers. We also witnessed the man playing his axe with the leg of a chair and licking the strings at one point. It was a good night for everyone, and we're sure the guitar had no complaints either. CRAIG HLAVATY

Local Natives
House of Blues, October 9

In case you've never heard Local Natives, the music is a heady mix of Talking Heads, Television, Grizzly Bear and Genesis -- a.k.a. sharp art-pop with heaps of percussion, impeccable harmony vocals and a bright polish. The lyrical content tends to be rather personal in nature, so it doesn't hurt that many of the songs contain rapturous crescendos that are crisply executed.

In short, you might be put off by all the oxford shirts and boat shoes on the stage and in the audience, but if you're not moved by the heartfelt emotions laid out for all the world to see in such a powerful fashion, then your heart must be made of stone. ADAM P. NEWTON

More shows on the next page.

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