ACL Last Night: Neil Young & Crazy Horse at Zilker Park

Categories: ACL Fest

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Photos by Marco Torres
Neil Young & Crazy Horse
Bud Light Stage
Austin City Limits Music Festival, Zilker Park
October 13, 2012

Rewind:

SLIDESHOW: Neil Young, Jack White, The Roots: ACL 2012 Saturday Bands

SLIDESHOW: Rainy Saturday at ACL 2012: Crowd Shots

ACL 2012: Friday's 12 Best & Funniest Moments at Zilker

With all the members knocking on the door of 70, it would be easy for the youngsters at ACL to call Neil Young and his band Crazy Horse decrepit and foggy. But their blistering set was a brute-force display of proto-grunge and Bernard Shakey hymns to the hard land and the harder life.

Simply put, the band was louder and tighter than most anything else one would see in Zilker Park thus far. Keep in mind that the Iggy & the Stooges' Sunday-evening set tonight could tie up that score.

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Saturday night, festival-goers had two options for evening entertainment: the aggressive history lesson on the Bud Light stage with Young and company, or Jack White's formidable solo display on the AMD outpost hundreds of yards away. It wasn't possible to see both, plus I was entrenched in the front of the Crazy Horse crowd early on.

Opening with "Love And Only Love" from 1990's Ragged Glory, the band raged with Young's signature stomping and wrenching for ten minutes, before pulling things back for a towering recitation of "Powderfinger," complete with crazy interplay and feedback.

The thought of the band rehearsing these songs in some rustic barn at full bloody volume makes me giddy. The band is no frills, and compared to the rest of the dress of the festival's flashy lineup, they looked like roadies or stoner grandpas in comparison. Young threw off his Willie Nelson camp into the photo pit early on, with a fan just losing it from his hands.

Rewind:

ACL Last Night: Avicii at Zilker Park

ACL SLIDESHOWS: Friday's crowds and performers (Florence, Afghan Whigs, M83, etc.)


Young took on the mournful "The Needle and the Damage Done" alone with an acoustic guitar and a harmonica, thrilling the old stalwart fans in the crowd. With each strum of his guitar, there was history dripping onto the stage.

"Cinnamon Girl" would have been the most immediately recognized song for the wet-behind-the-ears set at the show, Young dedicating it to his wife somewhere backstage.

Appropriately so, the band launched into "Down By The River", just paces from the Colorado which cuts through Austin. The crowd was raging for it.



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