Last Night: The Flaming Lips at Free Press Summer Fest

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Photos by Jim Bricker
More FPSF 2012 Coverage:
Summer Fest line-up reviews on the Rocks Off blog.

Free Press Summer Fest 2012: The Sexy, Sweaty Crowds

Popsicles and Pizza: The Food of Summer Fest

FPSF: The Bands from Saturday

FPSF: The Bands from Sunday

The Flaming Lips
Free Press Summer Fest, Eleanor Tinsley Park
June 2, 2012

It's the fashion these days for artists to revisit the classic albums of their catalog in a live setting. Metallica is doing their "Black Album" this year, 50 Cent did it at SXSW and damn, Creed is touring their first two albums as well.

But not many have tackled an album from another artist. When some bands do it, they sound like covers bands at a frat bar, or they don't get the point of the album.

Enter the Flaming Lips with their retelling of Pink Floyd's landmark album The Dark Side of the Moon, which they have been doing on the festival circuit and brought to Free Press Summer Fest Saturday night.

It's a fun trick to pull for fans, and it makes for a must-see live event, not only for the novelty of it all but for the fact that it's interesting to see a band try to reinterpret someone else's vision. The Oklahoma group's taking on Floyd seems improbable, but they have a lot in common, although the Lips aren't as paranoid and come with a sense of humor, where Floyd could be very dour.

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The Lips began their set with a quick and dirty set of their own work, including "Race for the Prize," "Do You Realize?" and others before taking a quick break and beginning Moon.

The band began around 20 minutes later than scheduled due to technical issues. But the Lips even make jacking around with sound check entertaining.

There was no new material involved in their own set, which was a letdown but not unexpected. A new disc is on the way in the fall, according to lead singer Wayne Coyne. It doesn't hurt to hear the hits again, and the group's tech problems at the start perhaps cost us something new.

Coyne is very high on FPSF, saying as much from the stage halfway through their Lips cuts. The festival's freewheeling attitude fit Coyne and the band like a glove.

I will say that the Lips do a great job at Moon, but it's not the face-melting extravaganza that it has been made out to be, or at least everyone is saying. That hurts me to say since I am a big Lips fan, but it nagged at me the whole set.

Don't get me wrong, it's a treat seeing this experiment live, and the Lips are more than capable of executing it, but sometimes it devolved into by-the-book coverage. I still commend them for putting their stank on it.

"Money" and "Us and Them" are the standouts of the Moon set. The band goes whole hog into those tracks, which are closer to their own sonic brew than the others. That's when we got to see that wide-eyed Lips imagination and glimmer that keeps fans like me coming back.

If only we could all inject some of Coyne's focused whimsy into our daily lives, well...

Location Info


Eleanor Tinsley Park

500 Allen Parkway, Houston, TX

Category: General

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This was easily the best set of the weekend, and so much better than their headlining show two years ago. If you did 3 minutes of research you would learn that the only song that was cut out of the setlist due to technical issues was "She Don't Use Jelly".

It's kinda unfair of you to write a review of a band like the Flaming Lips while being so far away from the stage that you could hear Afrojack. Calling this show "Face-melting" would be a gross understatement, and you didn't even go there. Next time try writing about this show when you're standing close enough that you have to stop writing your useless and overcritical notes when Wayne's hamster ball is 3 feet in front of you. This was a unique and modern take on a classic album that really could only be pulled off by the Flaming Lips.The only useful bit of your review is that fact that yes, it would be great if they came back in another two years to do Soft Bulletin. 


Maybe it's because I've never been able to become a Lips fan, but I found their version too painful and had to leave during "Gig" when it sounded like someone was killing a cat. Coyne's vocals also left me wanting, but I've found they always do.


It was a great show, this review is far too clinical. If you'd stop being ANALytical for a moment you might have actually had more fun.


That parting thought regarding your funeral plans is priceless.


it's just pseudo-analytics, there's no real meat to what he said. not sure really what the show was like from the commentary

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