Last Night: Jamey Johnson At Warehouse Live

jamey-johnson may12.jpg
dirtymitten.com
Jamey Johnson also doesn't approve photo requests, but he still looks like this.
Jamey Johnson
Warehouse Live
May 11, 2011

Ladies and gentlemen, the feel-good show of the year.

Aftermath had never seen Jamey Johnson live before Wednesday, so we don't know if what happened is his usual modus operandi. Regardless, to see it in person was nothing short of remarkable.

For about half an hour, Johnson and his five-piece band fought a ham-fisted sound mix and typically distracted Houston crowd, who kept their conversation to a dull roar when they weren't voicing their approval of the cocaine, whores and marijuana plants in Johnson's lyrics. Other than that, he wasn't doing them any favors with his material.

Intermittently audible and each paced a notch or two above a crawl, there was an ex-con's realization of how little he's gained upon his release ("The High Cost of Living"); Willie Nelson's epic after-hours sigh ("Night Life"); a pot grower's account of grinding poverty ("Can't Cash My Checks"); and Merle Haggard's dream of a better, or at least different, life ("The Way I Am").

Then came another Willie song, a lovelorn request to the tune of "Red River Valley" ("Can I Sleep In Your Arms Tonight"); a songwriter piecing together a blackout from the cab of his pickup truck ("That Lonesome Song"); and a stark warning to the well-to-do to watch their backs ("Poor Man Blues"). "Lonesome Song" raised the tempo and the volume at the chorus, sparking a few "whoo"s, but otherwise each song dug an existential grave for the evening six feet deeper.

A minute or two into "Poor Man," it looked like they had finally reached the precipice. The song stopped abruptly, there was a split-second of hesitation, and then the band commenced Johnny Paycheck's "Take This Job and Shove It." Presto.


Location Info

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Warehouse Live

813 St. Emanuel, Houston, TX

Category: Music


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2 comments
blackjackdavid
blackjackdavid

I agree with "Lisa" — way too many cover songs. Seven in a row at one point, and 10 out of 11 during the middle of the show. There's no excuse for more than 50 percent of the set list to be songs from other people. Pay your respects to your elders with a few choice cuts and then get to your own goods, son. He does know he is Jamey Johnson, right? His stuff can more than hold its own. None of his cover choices particularly stood out either, and a few ("Tulsa Time," "Midnight Rider") were downright weak. He's got plenty of his own material that would have made for a tighter set. It's as if he didn't trust his own band or the audience all night. Fortunately, the piece o' crap sound system drowned most of it out. I seem to remember other Warehouse Live shows having the same horrible mix. They've got to do better than that, don't they? Oh, well. Could have — should have — been in a great show.

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