What Is Classic Rock Today?
What is classic rock in 2010? 15 years ago, it was was the Rolling Stones, Led Zeppelin, The Who, anything Eric Clapton touched and every band your dad played in his car while he was making out with the girls he met before your mom.
That's how we know classic rock: Big riffs, big voices, intricate compositions, huge arena shows, long-flowing hair, pot smoke - the bands whose concert tees now go for three figures on eBay. Radio stations like 93.7 The Arrow and the old 107.5 ("Z107") helped shape that idea for Houston listeners, but for some, the mere name of the genre has bad connotations.
We knew what oldies meant: The rock and roll pioneers like Buddy Holly and Elvis, girl groups, British Invasion, bobby-soxer pop, some primitive garage cuts, Motown, soul and R&B standards, and some teen ballads. Early Beatles and Stones hits, before the drugs. This stuff was shoved down our throats by the baby-boomers and every single Rob Reiner or Gary Marshall movie we ever saw. "Gimme Some Lovin'," et. al. Music you heard during your second tour in Vietnam.
Then there was the in-between stuff you found on your own or through college radio. Garage rock, proto-punk, heavy metal, thrash metal, punk, first-wave glam, No Wave, post-punk, more adventurous New Wave and hardcore. For the purposes of this blog, ignore all of that awesomeness.
Country is an animal unto itself. Houston has three country stations to choose from: One that only plays the same 40 classic country songs on a loop, another that only plays pop-country, and a third that is mostly the biggest singles from the past 20 years mixed with a few new interlopers.
As for hip-hop and rap, it's all over the dial from the Top 40 stations to 97.9 FM The Box. It's the new rock and roll, and the right single can cross over and be malleable everywhere. You can hear Eminem next to Lady Gaga next to Katy Perry next to Slim Thug.
With the inception of 106.9 FM The Zone a few weeks back, we faced a strange crossroads in our life. The music we grew up listening to on the radio - grunge, bubblegum rock, pop-metal, and everything that came with watching 120 Minutes from 1992 to 1997 - became feel-good nostalgia fodder.
Alternative gold is the new classic rock, and classic rock is the new oldies, and oldies are the new pop standards. Herman's Hermits, The Beach Boys, The Supremes and everything from The Big Chill soundtrack are now where Tony Bennett, Nat King Cole, Lawrence Welk, and Henry Mancini were two decades ago. Music before all of them, your big-band artists and deeper roots and the like, is nowhere to be found on the dial.
Oldies, 1950-67: The Temptations, the Monkees, the Coasters, Elvis Presley, Van Morrison
Classic Rock, 1968-87: Led Zeppelin, The Doors, Aerosmith, Pink Floyd, Bob Seger
Classic Hits 1968-85: The Eagles, Journey, Queen, Elton John
Album-Oriented/Mainstream Rock, 1970-Present: Black Sabbath, Lynyrd Skynyrd, AC/DC, Metallica
Adult Hits, 1988-Present: Sarah McLachlan, Counting Crows, Madonna, Jason Mraz
New/Active Rock 1991-Present: Nickelback, Staind, Godsmack, Creed
Alternative Gold, 1980-99: Talking Heads, Nirvana, The Cure, The Cranberries