Roughly 84,000 rap albums have been released in Houston since 1989. We're counting down the 25 best of all time every Thursday. Got a problem with the list? Shove it. Just kidding. Friendship. Email it to email@example.com.
The Life of Joseph W. McVey
Five albums in and we get our first effort fromZ-Ro.
Yes, he is one of six artists who makes the list twice, but it's completely justified. You'll see. You should just be glad we didn't go with reader AR's suggestion, which was meant as a joke but was actually kind of reasonable, to list all of Z-Ro's and Scarface's discographies as the entire list. We suspect our editor would not have appreciated that. [Ed. note: he's right.]
At any rate, in addition to being the best album title Z-Ro ever produced, The Life of Joseph W. McVey
was important for one big, big reason: it represented the budding of the artist that Z-Ro eventually became.
Z-Ro was apparently born with that six-foot-deep voice of his, so the seven albums that came before Life... were fun to listen to, but they mostly consisted of rehashed content that everyone had seen a bunch before. For the most part, this would be his, as well as everyone else's, Tupac-tinged period.
, which was his first album distributed by Rap-A-Lot, (which also adds a bit of cachet), felt like a concerted effort on his part to offer up a genuine peek inside how he operated as a man. "Z-Ro," "King of the Ghetto," "Everyday," "Thatz Who I Am," "I Hate U Bitch" and "Happy Feelingz" were all largely autobiographical; not coincidentally, there were also the six best songs on the album.
Ro had offered glimpses into his psyche before ("Lord Tell Me Why" from Look What You Did To Me, for example), but this album saw him fully embrace (and empower) that woe is me mentality for the first time. It ended up being the painfully real (yet still mostly raw) representation of himself that a lot of people thought he was incapable of producing.
He had pretty much perfected the solo-dolo heartbroken thug act by the time Let The Truth Be Told rolled around (his next official release, which will always be his best album), but there's no way that one ever gets made without this one.
was a watershed moment in the career of one the most important emcee's in Houston's history. Don't sleep. Learn the words to first verse of "King of the Ghetto" and then sing the shit out of them in your car. Then you'll know exactly what we're talking about.
No. 21: Ganksta NIP's South Park Psycho
No. 22: Big HAWK's H.A.W.K.
No. 23: K-Rino's Time Traveler
No. 24: Pimp C's Pimpalation
No. 25: Big Moe's City of Syrup
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