By Craig Hlavaty in Miles-tones, The Whole Wide World
Monday, Apr. 20 2009 @ 2:26PM
To people with tapestries of Bob in their dorm windows, those are fighting words. But to fully grasp the scope of such a thing as reggae, one must branch out from Marley's warm and fuzzy cocoon.
Legend has sold nearly 20 million copies worldwide, yet it's often criticized for only leaning on Brother Bob's later popular work and not his early stuff with Peter Tosh and Bunny Livingston (aka Bunny Wailer).
Tosh was an early Marley associate; in our minds he was vastly more groundbreaking than his more popular onetime Wailers bandmate. Pick up his menacing LPs Legalize It and Equal Rights for an introduction; the snarl in Tosh's voice and guitar that is infinitely more interesting than Marley's good-time croon. Tosh wasn't as commercial as Marley proved to be, but he surpassed him when it came to attitude and pain.
Many people fail to realize that as sunny as Marley's songs were, his homeland of Jamaica was the exact opposite. While it's a beautiful and exotic locale, the country was rife with cutthroat politics and virulent criminals, so much so that when white artists like the Rolling Stones would head to Jamaica to record in the mid-'70s, they would have to hire street toughs as security muscle and pay out protection bribes just to be able to safely walk the streets.
Also, for anyone looking to see exactly what sort of world bore reggae, look no further than Perry Henzell's 1972 epic The Harder They Come. Starring another underrated reggae giant, Jimmy Cliff, it's an unflinching account of criminal life in the Jamaican capital of Kingston.
The soundtrack is a period gem and both the film and the music hold up incredibly well. It's sort of like a Jamaican Scarface, with way better music and without that pesky drip in the back of your throat.





13 comment(s) / Post a Comment


























