St. Patrick's Day Special: Ten Great Irish (Or Irish-American) Musicians and Bands

Categories: Lists, Miles-tones
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St. Patrick's Day is, well, today, so, rather than hit the pub to celebrate - which we'll probably still do, to be honest - we thought we'd put together a mixtape for you of our favorite Irish and Irish-American bands along with a favorite tracks by them. Pint of Guinness and shot of Jameson sold separately, but still mandatory.

Thin Lizzy, "The Boys Are Back in Town": Though founded in Dublin in 1969, Thin Lizzy was as diverse in its lineup as it was in its influences. Frontman Phil Lynott remains one of the few black men to find major success in hard rock, while the band was made up of members from both sides of the Irish border as well as the Protestant and Catholic faiths.

Sinead O'Connor, "Nothing Compares 2 U": Remember when Sinead O'Connor tore up a picture of Pope John Paul II on Saturday Night Live? Yeah, that was pretty much the beginning of the end. She continues to record powerful music, though, even if not many people are listening.

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Dropkick Murphys, "The Warrior's Code":
If you've listened to any Dropkick Murphys songs, then you already know it's pretty damn hard not to want to be Irish-American after listening to their prideful, politically loud Celtic punk anthems. You also know they really like The Pogues.

The Pogues, "If I Should Fall from Grace with God": The original Celtic punk rockers, The Pogues got famous thanks to the stage antics of stereotypically falling-down-drunk frontman Shane MacGowan. Oh, and their music, too.

The Frames, "Revelate": If you've seen or heard the music from Once, then you're already familiar with Frames frontman Glen Hansard. The band vacillates between haunting ballads like those found in the movie and the kick-ass rock jams they perfected throughout the '90s.

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Flogging Molly, "What's Left of the Flag":
Flogging Molly is an L.A.-based Celtic punk outfit just as catchy as the Dropkick Murphys, but less angry. A lot less angry. Instead of making you want to fight, they make you want to drink and sing along.

My Bloody Valentine, "To Here Knows When": Ear-splitting shoegazers My Bloody Valentine was alt-rock way before Seattle teens hopped on the bandwagon. The legendary band went AWOL in 1997, but returned a decade later to a fan base still clamoring for their music - and still has yet to follow up its 1991 masterpiece Loveless.

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Damien Rice, "The Blower's Daughter":
Damien Rice's haunting ballads have the unique characteristic of sounding utterly romantic and utterly suicidal at the same time, which is probably why the ladies love him so much. He's like a Shakespearian sonnet with a piano backing track.

Stiff Little Fingers, "Gotta Gettaway": Punk-rock legends from Belfast once called "The Irish Clash." Led by Jake Burns, a dude who sounded like he gargled with glass shards, Stiff Little Fingers often got political, but never got great again after their first couple of records between '79 and '81.

U2, "Where the Streets Have No Name": We saved the biggest for last. If you don't know who U2 is, you're probably a member of one of those lost tribes in the Amazon. And even then, we don't believe you haven't heard of them.


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