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Last Night: Elvis Costello and The Police in the Woodlands

Wed May 21, 2008 at 11:22:11 AM

stingmarkaustin.jpg
Check out our slideshow of Elvis Costello and The Police in the Woodlands...

Elvis Costello / The Police
May 20, 2008
Cynthia Woods Mitchell Pavilion

Better Than: Not seeing Elvis Costello with The Police. (See: Personal Bias.)

Download: Costello’s latest, Momofuku – especially “Go Away” – and hear one Elvis that never stops rocking. (Wait, is that distasteful? Oh well.)

I’ll start off by answering the question that everyone is wondering: This show was better than The Police’s previous show at the Toyota Center – according to my sister’s friend. She’s been to plenty of Police shows and seen Sting solo – and she says this concert was the one to see. Apparently, the last show was truer to the record, but this time around the trio is leaning more on Sting’s tendency to drag songs out a little more. This isn’t to say things get boring. Every song was stretched out just long enough to give fans a nice you-can’t-hear-this-on-a-record experience without venturing into, um, let’s just say, Dave Matthew’s territory.

Photos by Mark C. Austin
costellomarkaustin.jpg
Check out our slideshow of Elvis Costello and The Police in the Woodlands...

But now, on to the real show. In the Texas heat, Costello took the stage in a suit – this dude’s got class. Other than an opening slot, two factors stopped this from being a hands-down, great Costello show: a meager crowd in front of the stage (the lawn was pretty packed) and the giant venue, which swallowed much of the sound. (Apparently, openers don’t get to use every speaker in the house, only the ones on stage and few on the lawn.) I was sitting a couple rows back, center, and had a hard time hearing Costello and his Imposters. Now, I’m not delusional, I know there is no way Costello could ever sell out the Toyota Center or even come close to selling out the Pavilion, but all I’m saying is it was disappointing to only get eleven songs on low volume – but moving on …

Costello started off with a new number: “Stella Hurt,” the seventh track off his latest release, Momofuku. About half the set was devoted to this release and no one was complaining. Costello still knows how to write riff-heavy, lyrically-clever rock ‘n roll, and considering most people were there for The Police and barely knew anything from him past “Allison,” it was a good chance to test out new material. Vintage hits like “Pump It Up,” “Everyday I Write the Book,” “(I Don’t Want To Go To) Chelsea” and, of course, “Allison” played along perfectly side by side fresh tunes like “Go Away” and “Flutter & Wow.”

Costello was in true form – he’s still a charmer. He flirted with the ladies and coaxed them into cheering for an introduction to “Allison.” And speaking of ladies, many were pleasantly surprised when Sting came out and joined Costello for the tune and took over the second verse.

When introducing another new track, “Flutter & Wow,” Costello informed the crowd that this was the slow-dance portion of the show, but some people on the lawn were in no position to dance. “I see some of you are lying down,” Costello said. “I think some of the best dancin’ is done that way, myself.” Damn, this dude is smooth.

He ended things with (the expected) “What’s So Funny About Peace, Love and Understanding?” and was out of the way in less than an hour. One (and by one I mean me) can only hope this performance was just a teaser for a possible headlining tour later this year.

Personal Bias: I’m a Costello fan. I like The Police, but nothing tops Elvis. Although I thought it was neat to hear Sting sing that second verse, nothing is more heartbreaking than Costello’s bluesy, scratchy vocals pining after the girl that got away.

Random Detail: Is it weird that I got a little nostalgic for the Notorious B.I.G. when The Police broke into “Every Breath You Take”?

By the Way: From my sister’s (somewhat inebriated) friend: “Never forget that Stewart Copeland is playing his ass off right now! I love Stewart Copeland.” -- Dusti Rhodes

Elvis Costello's Setlist:
costellosetlist.JPG

Category: Live Shots

9 Comments:

John Royal says:

I agree with Dusti, ELVIS ROCKS, and it's a shame the seats were empty, though I had a great seat and could hear everything fine -- that's a bummer for those on the lawn.

But I've got to disagree, the one song to download off of Momofuko is Turpentine, which he didn't do last night, much to my disappointment.

And is it so wrong for me to wish that the bill had been reversed, with The Police opening for Elvis. I like The Police, but damn, Elvis is Elvis.

And I've got to agree with your sister's drunk friend, Stewart Copeland was playing his ass off, but I liked the Toyota Center set better if only because it was longer, and also because they opened up with Synchronicity II, which is my favorite Police song. But still, it was a good show.

I just wish there would have been more Elvis.

Dusti says:

Yeah, I mean, the sound wasn't terrible, but I just wish he would've had the power behind him that The Police did (ie ALL the speakers).

Jeff Simpson says:

I not a fan of Elvis Costello but I would like to say I agree with Mr. Royal about the Police. I liked the set-list better at Toyota but they were considerably much tighter at the Pavillion. Like your inebriated friend I have been to several Sting shows and Roxanne and Every breath you take are strait from his show so after hearing them played that way at least 7 times it's old. Song that were missed from the Toyota set-list include, Walking in Your Footsteps and Synchronicity II. Also, what the hell was their opening song?

Tam says:

They opened with "Bring on The Night" which I thought was cool since the sun was almost down. I payed for the Police so to be honest I was not concerned with Elvis Costello. Stewart Copeland was excellent and Sting sounded great. I wish it was longer. Also I sat on the lawn. I noticed a lot of empty seats under the covered. I wish I could have afforded one. Sad when you are a true fan you can't get the good seats.

Tam says:

They opened with "Bring on The Night" which I thought was cool since the sun was almost down. I payed for the Police so to be honest I was not concerned with Elvis Costello. Stewart Copeland was excellent and Sting sounded great. I wish it was longer. Also I sat on the lawn. I noticed a lot of empty seats under the covered. I wish I could have afforded one. Sad when you are a true fan you can't get the good seats.

optimist says:

I was not impressed with the Police last night. I saw them at Toyota, where their enthusiasm for the music was obvious and made for an excellent concert. I was transported - I felt 25 again.
Last night, they were not in sync. I guessed they were sick of being on tour and probably sick of each other. It was depressing.

I don't think the venue was to blame - I saw REM at the Woodlands and they were amazing there! My husband (ex-sound engineer) tells me that the Police's sound engineer was basically phoning in his work. No enthusiasm there either.
I bought a T-shirt anyway...

George Bready says:

Okay, saw them the next night at superpages smirnoff whatever we're calling the place this year amphitheater in Dallas. Elvis kicked in ways the Police could only dream of.
Setlist was basically the same for Elvis, except we had a suprise "Clubland" instead of "Chelsea." No trouble hearing anything, infact the first few tunes when he used the goldtop LP were fricking painful, although they resolved a few issues when he used that guitar again later in the show. I'd love a full elvis show...he's a much better player now than he was back in the good old days when he usually nedded an extra guitar player like Martin Belmont. Steve Nieve was insane on the keys as always.

As for the headliners, the hits keep rolling and the girls still get their panties in a wad for the notorious fraud known as sting. Actually, sting was in fine form and the band definitely played a relaxed and fun set for their pre-menopausal fans. Compared to the times I saw the band back in the '80's as they became increasingly pretentious and annoying, they actually seemed to be having fun, changing up a few tunes, but still seemed as rehearsed and deliberate as ever. Superb musicianship as always, but they still have a calculating approach that has always honked me off.

Overall a first rate show.

George Bready says:

Oh yeah, one nice thing in Dallas...lots of empty seats, but venue staff came around the lawn during peace love and understanding and handed out tickets for inside the pavilion. I ended up down in some very nice seats along with other blanket people. Unfortunately, I only got to watch the police from there, but it definitely improved the overall scene. Of course, if I'd paid $140+ for the seats only to be invaded by blanket people I might have been pissed, but screw those folks!

Daniel Mee says:

What the HELL is Andy Summers wearing?!

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