Blogs

(Rooting through yellowing copies of the Press, I found the following listings from ten and 15 years ago)

15 years ago in Houston music:

The Boredoms and Brutal Truth opened for Pain Teens at Emo’s…Then-Press music editor Brad Tyer highly recommended readers to go see Jason Nodler’s play In the Under Thunderloo at Catal Huyuk…The Franchise, Under the Sun, Toy Subs, Global Village, and Venus in Furs all played the Pig Live…Beat Temple and Ooga Booga hosted a “Super Funk Party!” at Fitz’s, while the Missiles opened at the same club the next night for Jason and the Scorchers…Hollisters forerunners the Rounders played every Thursday at the Bon Ton…GG Allin came to town…Carolyn Wonderland hosted an open-mike night at Dan Electro’s on Thursday, played Tuesday at Last Concert and Friday at Catal Huyuk, Sunday night at Billy Blues, and Sunday afternoon at Bo Beaux’s and a KPFT benefit at the Boat Yard and at an AIDS benefit at Fitz’s. The Flamin’ Hellcats played Rudz on Friday… The Hightailers played Thursday night at Last Concert.

Joe Nick Patoski is heading to town to sign copies of Willie Nelson: An Epic Life, his new biography of the Red-headed Stranger. This Thursday Patoski will appear at Brazos Books (2421 Bissonnet) from 5-7 p.m., whereupon he will head down the street to Under the Volcano (2349 Bissonnet) for what promises to be a slightly more raucous autographing session.

Saturday appearances after the jump...

Well, that's the way my dad put it when he sent it to me, and damn if I don't think he might be right.

What we have here is the sedate majesty of pop-soul king Brook Benton, teamed up with a bevy of apparently benzedrine-addled go-go girls, that long-bearded guy from Monty Python who used to croak "It's" at the beginning of the show, several farm animals (stuffed), and one big-ass world on a string. Or two. Enough o' my yakking and happy Friday. View the goodness after the jump, and remember, if Mother Nature don't getcha, Father Time will.

Austin newcomers nelo's press kit helpfully points that the sextet's names rhymes with "hello." A much better homophone would be "mellow," because their self-titled debut is about as chill as an October afternoon in Wisconsin without any long underwear on. Saturated in acoustic guitars, breezy horns and silky come-ons, nelo seems destined to draw the adoration of comely young coeds and the scorn of so-called "serious" music fans in equal measure.

Houston pop-rock king Arthur Yoria is giving away a new song called “The Libyans.” As usual, it’s catchy as hell, but Yoria’s skillz in the studio continue to develop. The spare, skeletal intro blossoms into something as spacious, big-sky and vaulting as Indian classical music. More after the jump...

According to Idolator, Madonna will play her first Houston concert since 1990's Blonde Ambition tour November 16 at Minute Maid Park. Ready for this, Uncle Drayton? - Chris Gray

My Morning Jacket have announced their fall tour. Check the dates after the jump, and let the wailing and lamentations begin...

I know, I know, I have a problem. I'm seeking help, I promise. OK, I'm not. But if you worship at the church of rock & roll, Tom Petty makes a decent bishop. This week's discovery, courtesy of Wolfgang's Vault, is a full-length Heartbreakers concert recorded at Houston's own Music Hall in December 1979, about a month after a little album called Damn the Torpedoes came out. Like Blondie almost said, streaming is free. If you're a member, that is - sign up here.

Petty scholars well remember Torpedoes as the album that proved to MCA Records he was a worthwhile investment. Everyone else remembers it for "Here Comes My Girl," "Even the Losers," "Don't Do Me Like That" and a not-so-minor flash of genius he decided to call "Refugee."

New noise from the Bayou City and across the pond:

Born Liars 7" (Cutthroat)

“Go Back One Day” roars from start to finish with the same cymbal-crashing moxie as Johnny Thunders and the Heartbreakers, building and thrashing on top of a late-night bar shuffle that makes very clear that we’re not dealing with the same band who released Exit Smiling two long years ago. That record was a fine debut, no doubt, but Born Liars have grown into a much nastier force since then. Exit Smiling had flashes of power-pop creeping through its pores and, while well-executed, misrepresented a band that has cultivated a downright filthy sound, one that currently stands as the stiffest middle finger in Houston rock.

“Meet Me Downstairs” is kicked-off with a swirling riff that soon finds itself lodged in Shane Lauder’s Detroit percussion thunder. Were Jimmy Sanchez to affect any more of a sneer, his vocals would simply become unintelligible. As is, he just sounds like the snottiest rock singer to burst from any local clouds in a good long while, lending an emotional credibility that would’ve gone AWOL under care of another vocalist, while cymbal crashes and Bill Greer’s bass punch the whole thing in the ass.

I knew it had been a long-ass time since we were last graced with a Tom Waits show in these parts, but I had no idea just how long it had been. According to his singularly obsessive fansite, it will have been a full 27 years and one month since we last heard the extreme bluesman and song poet. A full Houston tour history follows, after the jump…

Mike Ness and Jesse Dayton
The Meridian
May 6, 2008

Better Than: The Social Distortion episode of MTV Unplugged that never happened, thank God.

Download: Jimmie Rodgers's "In the Jailhouse Now," one of the few prison-related songs Ness didn't sing

Photo by Chris Henderson

Mike Ness

Performers, especially those who mine their material from the proverbial other side of the tracks, walk a precarious line between the deeds they recount in their songs and the situations they sometimes stumble into offstage. Mike Ness is hardly a stranger to life's unfortunate twists and turns; both with Social Distortion and solo, his songs are replete with addicts and ex-cons trying, and often failing, to walk the straight and narrow.

But Ness' hard-luck characters took an unplanned back seat Tuesday to-the-all too real predicament of opener Jesse Dayton. En route from Dallas, Dayton's tour bus was pulled over in Magnolia County for the stereotypical broken taillight; the subsequent search turned up a certain illegal substance in the singer's backpack that, he said later, had been there "since I don't know when." The bus was impounded, and Dayton rewarded with a side trip to the county lockup, but due to some nifty maneuvering by his lawyer - who had him out of jail and on the road in four hours - he made the gig in time to provide some extra oomph to a set-closing medley of "Folsom Prison Blues," "Rebel Rouser" and "White Freight Liner Blues."

Roving local flash-mob, hit and run graffiti boogie lords SexyAttack recently hit up the infamous “disco Kroger” on Montrose.

Ironically, the management at this most oontz-oontzy, dance-friendly of supermarkets was not amused.

Check out the video after the jump.

We just received word that the GRAB will be closing up shop soon. So far, that's all we got, but we'll have more as it develops. -- KP

UPDATE: Flyer after the jump...

Nine Inch Nails
The Slip
Release date: 5/5/08

The pun is difficult to resist: The Slip is the second Nine Inch Nails album to arrive with free download availability, and the slip is what Trent Reznor has given to corporate parties who stand to profit from his music or the legal regulation of it.

“This one’s on me,” writes Reznor on the NIN Web site under the download link. The record’s release was cryptically alluded to in a post to the band’s Web site on April 21 and in the metadata of two mp3 singles, “Discipline” and “Echoplex,” released on April 22 and May 2, respectively.

Unlike the recent Ghosts I-IV, The Slip features lyrics on seven of its ten tracks. Veteran NIN members Josh Freese, Robin Finck and Alessandro Cortini return the band to a harder electro-industrial sound akin to Year Zero (2007) and With Teeth (2005).

Roger Waters
Cynthia Woods Mitchell Pavilion
May 4, 2008

Better than: Getting an extra nickel in your dimebag

Download: Dark Side of the…wait, surely you already have this, right???

As only one of four U.S. dates and the last stop on the tour (perhaps to make up for the rained-out Rice Stadium gig years ago?), the Houston classic rock audience responded by rewarding the former Pink Floyd singer/bassist with a sold out show. I’d never seen the lawn so packed before, proving that sometimes a band’s catalogue of material is so strong that it can overcome any hesitancies about who is actually playing it.

For the show’s first half, Waters and his extensive, polished-to-a-sheen ensemble (including late-model Thin Lizzy guitarist Snowy White) offered up a heaping helping of Floyd warhorses (“Have a Cigar,” “Shine on You Crazy Diamond,” “Mother,” “Wish You Were Here”), rarities (“The Fletcher Memorial Home”) and solo material (“Perfect Sense-Pt. 1” from Amused to Death).

But the best moments came at unexpected times. The heavily trippy early Floyd track “Set Controls for the Heart of the Sun” was a mindbending blowout, complete with projected footage of the then-young band frolicking on a beach (ah, Syd, so young and vibrant…).