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   <title>Houstoned</title>
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   <id>tag:blogs.houstonpress.com,2008:/houstoned/19</id>
   <updated>2008-05-09T04:05:59Z</updated>
   <subtitle>The Houston Press News Blog</subtitle>
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   <title>WTF, Meat Loaf and Tiffany Got Married!?!</title>
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   <id>tag:blogs.houstonpress.com,2008:/houstoned//19.99445</id>
   
   <published>2008-05-09 02:02:50</published>
   <updated>2008-05-08 22:05:59</updated>
   
   <summary> Okay, so I was chillin’ on the couch mindin’ my own per usual when this new ad for AT&amp;T’s GoPhone came on. I instantly recognized Meat Loaf in the role of overbearing dad who may or may not buy...</summary>
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</div>Okay, so I was chillin’ on the couch mindin’ my own per usual when this new ad for AT&T’s GoPhone came on.  I instantly recognized Meat Loaf in the role of overbearing dad who may or may not buy his son a GoPhone, and I admit I was equally tickled and nauseated by his use of “Paradise By the Dashboard Light” in the ad.  (“Get me a phone, Dad!”  “Let me sleep on it!”  “No, I want the phone, dad!”  “Let me sleep on it!”  You get the general idea.) 

<p>Now Mr. Loaf milking his most popular song ever is no shocker, but what did catch Miss Pop Rocks off guard was the strange familiarity of his television wife, who makes a quick appearance as she walks in carrying groceries and makes some comment about “no surprise bills.”  I had to watch the ad multiple times before it hit me…</p>

<p>His wife is Mall Queen Tiffany.  Like, 80s Pop Icon Watch Me I’m-Covering-Tommy-James-&-The-Shondells Tiffany.</p>

<p>Weird.</p>]]>
      <![CDATA[<p>Even weirder is the extended dance mix of the ad available on AT&T’s Web site, which features Miss Tiff releasing a white bird as she sings about “paradise by the GoPhone light” and has a shot of the “son” dancing between two huge, singing Meat Loaf and Tiffany heads.  (<a href="http://www.wireless.att.com/learn/video-library/index.jsp?wtSlotClick=1~00107F~0~1&WT.svl=calltoaction" target="_blank">Must be seen to be believed</a>.)</p>

<p>Two distinct memories I’ll share with y’all real quick:</p>

<p>Memory Number One: I have a clear vision of sitting in my friend Meg’s car in the parking lot of my high school at 10 o’clock at night while a bunch of us were delaying having to go home.  (I have no idea why we chose the high school parking lot after hours as a place to hang.  I suppose it had something to do with being 16, underage and bored out of our fucking minds, and even the high school parking lot was preferred over our suburban bedrooms.)  At any rate, that night, Jessica played us “Paradise by the Dashboard Light” in Meg’s cassette deck.</p>

<p>“My cousin played this for me.  It’s old like from the 70s, but it’s really good…see, the guy wants her to have sex with him, and she’s all like, no, I won’t.  I won’t do it unless you promise me you’ll love me forever, right?  And then there’s this part that’s like a baseball game but it’s in a song.  And then they do it and they hate each other.”</p>

<p>I immediately realized it was the most incredible song I had ever heard.</p>

<p>Memory Number Two: I also have a clear vision of sprawling on the floor of my BFF Lisa’s carpeted bedroom floor and staring at Tiffany in her boho-chic (although I didn’t know to refer to it as that) black sweater over blue shirt and far off look in her eyes as she held wisps of her (natural!) red hair to her face and looked wanton and scared all at once on the cover of her self-titled debut album.  Much cooler than me, Lisa knew all about Tiffany.</p>

<p>“She sings this song that the Beatles sang, you know that old band?  But, like, this is a better version because she’s talking about a guy standing there, not a girl.  And she’s only a few years older than us.  And she’s, like, a bajillionaire already.  Isn’t that crazy?”</p>

<p>I immediately realized that Tiffany was most way cool girl I had ever heard of.</p>

<p>Now, I don’t really exactly know where I’m going with this, but I do know that the young teenager’s mind that still exists inside of this thirtysomething lady can’t quite handle those two precious memories <em>and</em> a new image of Tiffany and Meat Loaf acting married and singing about GoPhones.  What the Hell is next?  Debbie Gibson and Styx get together to promote timeshares in Florida?  I can imagine it now… “Come sail away…to a time share in Florida…come sail away with me…”  And Debbie’s in the background shaking her love or whatever with her hair in a scrunchie on top of her head.  Good Lord what is the world coming to. – <strong>Jennifer Mathieu  </strong></p>]]>
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<entry>
   <title>Unaccompanied Minors Allege Beatings at Immigrant Detention Center</title>
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   <id>tag:blogs.houstonpress.com,2008:/houstoned//19.99612</id>
   
   <published>2008-05-08 14:50:29</published>
   <updated>2008-05-08 14:52:15</updated>
   
   <summary>The Texas Department of Family and Protective Services is busy determining what to do with all the kids from the FLDS, but meanwhile, another group of children under TDFPS care is alleging abuse. Eight immigrant youths from the Hector Garza...</summary>
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      <![CDATA[<p>The Texas Department of Family and Protective Services is busy <a href="http://www.deseretnews.com/article/1,5143,695277366,00.html">determining what to do  </a>with all the kids from the FLDS, but meanwhile, another group of children under TDFPS care is alleging abuse. </p>

<p>Eight immigrant youths from the <a href="http://www.cornellcompanies.com/facilities3.cfm?fac_id=22">Hector Garza Treatment Center</a>, a facility for unaccompanied minors, have filed a lawsuit against a number of agencies, including the Houston-based Cornell Companies, a private company that runs the treatment center.</p>

<p>The allegations involve beatings from guards at the Garza center, which is located in San Antonio. On several occasions, the children were hospitalized, according to the lawsuit. Four San Antonio police officers were also named in the complaint for handcuffing and assaulting several teenagers after responding to a fight at Garza.   </p>]]>
      <![CDATA[<p>"Some of these incidents happened three months ago, and it was never reported as it should have been to Child Protective Services," says Susan Watson, a lawyer with Texas RioGrande Legal Aid, which is representing several children in the lawsuit. "The kids have been afraid to talk to anybody about this, because as they reported it, it seems to target them for 'special' treatment."</p>

<p>Cornell Companies is licensed by the TDFPS to provide care for children, and as the Salt <em>Lake Tribune </em><a href="ttp://www.sltrib.com/News/ci_9148957">discovered</a>, Texas child care facilities don't have a stellar record. Earlier this year, lawyers from Texas RioGrande Legal Aid filed a separate lawsuit against another TDFPS facility, Texas Sheltered Care in Nixon, alleging sexual abuse by guards and neglect by TDFPS officials. </p>

<p>"You try to understand that every organization has one rogue cop, or one bad apple, but the breadth of involvement [at Garza] is worse than it was at Nixon," Watson says. </p>

<p>Cornell Companies entered in a contract with the federal Office of Refugee Resettlement in September to use the Garza facility to house and treat immigrant minors who are determined to be mentally ill. According to Watson, most of the children traveling across the border suffer from some level of post-traumatic stress disorder. </p>

<p>"One of my kids…his father was either killed by MS-13 in El Salvador, and a year later, his mother was killed before his own eyes, and he was macheted and ice-picked and left for dead," Watson says. "I would expect a kid of nine who has gone through that to have some level of depression. But as far as I can tell, there was no treatment, no meaningful treatment, there at the facility."</p>

<p>Charles Seigel, a spokesman for Cornell Companies, says the company, along with TDFPS, have investigated any claims of abuse, even prior to the lawsuit, and found no evidence of wrongdoing.</p>

<p>"If there is any evidence of it, we want to know about it, but we don't see any," Seigel says. "Our specialty is troubled children. We're very proud of the staff there, and we were very hurt about these charges. </p>

<p>Several of the teens from the Garza facility have been moved to group homes in Houston and are seeking U.S. citizenship through asylum. </p>

<p>It could be a year before the case goes to trial, Watson says, but you can read the entire complaint <a href="http://www.trla.org/press/releases/2008/abraxascomplaint.pdf" target="_blank">here</a>. -- <strong>Paul Knight </strong></p>]]>
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<entry>
   <title>Cover Story: Mental Anguish at Texas West Oaks Hospital</title>
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   <id>tag:blogs.houstonpress.com,2008:/houstoned//19.99534</id>
   
   <published>2008-05-08 10:10:03</published>
   <updated>2008-05-08 10:11:57</updated>
   
   <summary> Amanda Lilley was 6 years old when she went to Texas West Oaks Hospital in Houston, broke her arm in her room and although medical personnel knew she’d hurt herself, no one in the private psychiatric facility realized her...</summary>
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</div>Amanda Lilley was 6 years old when she went to Texas West Oaks Hospital in Houston, broke her arm in her room and although medical personnel knew she’d hurt herself, no one in the private psychiatric facility realized her arm was broken until she was picked up days later by her mom who rushed her to an emergency room. 

<p>Alan Chambers was 43 when he successfully hung himself behind closed doors last year at Texas West Oaks Hospital. He’d been brought there after he cut his wrists at his wife’s office, then ran home where he ate every pill in his garage apartment and assembled a pipe gun just as he was interrupted by EMTs. Although he was supposedly under suicide watch, he’d been allowed to stay in his West Oaks room unsupervised after he had a fight with his parents.</p>]]>
      <![CDATA[<p>Renee was 17 when she was brought to West Oaks from another facility that deemed her too out of control for it to handle. She tried to hang herself with a shoelace and although that one was confiscated, she was allowed to keep the other one in her room. </p>

<p>But it’s not just horrifying anecdotes that justify looking closely at this facility’s operation. It’s also the fact that since March 2007, Texas has fined it $155,000 in total for violations of state regulations regarding the care of mentally ill patients. It was cited for everything from “failure to assure humane treatment of its patients that assures protection from harm” to “failure to monitor patients” to “failure to provide a sanitary environment.”</p>

<p>At the same time, critics – including former employees – say the facility is understaffed, undertrained and overstressed. In this week’s feature “<a href="http://www.houstonpress.com/2008-05-08/news/mental-anguish-at-texas-west-oaks-hospital/">Mental Anguish</a>,” be prepared for some hard times stories and an apparent lack of common sense. – <strong>Margaret Downing  </strong><br />
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<entry>
   <title>Community Education Partners -- Why It’s No Better for Atlanta Than It’s Been for Houston</title>
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   <id>tag:blogs.houstonpress.com,2008:/houstoned//19.99486</id>
   
   <published>2008-05-08 06:06:29</published>
   <updated>2008-05-08 10:05:56</updated>
   
   <summary>The Houston Press has dedicated a lot of time and space to looking at Community Education Partners. Recently, the American Civil Liberties Union’s Racial Justice Program in New York City went into Atlanta, decided the CEP there was pretty much...</summary>
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      <![CDATA[<p>The <em>Houston Press</em> has dedicated <a href="http://www.houstonpress.com/search/search.php?keywords=%22community+education+partners%22">a lot of time and space </a>to looking at Community Education Partners. Recently, the American Civil Liberties Union’s Racial Justice Program in New York City went into Atlanta, decided the CEP there was pretty much worthless and filed suit charging it with not educating any of the kids shoveled inside.</p>

<p><em>Creative Loafing Atlanta </em>has done its own report entitled “<a href="http://atlanta.creativeloafing.com/gyrobase/forrest_hill_academy_the_children_left_behind/Content?oid=479295">Forest Hill Academy: The children left behind</a>,” in which reporter Scott Freeman finds some of the same conditions in existence as the <em>Press </em>has written about in Houston. Students are warehoused with little real instruction going on. Most of the kids put inside the alternative facilities are minorities. Their test scores are lousy. And the ACLU calls it nothing more than a pathway to prison. </p>

<p>Much of the story goes into CEP’s background, which is intricately woven into the history of the Texas Miracle, No Child Left Behind, former HISD Superintendent Rod Paige and George W. Bush. – <strong>Margaret Downing</strong></p>]]>
      
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<entry>
   <title>This Just In: Griffin Stolen from Bishop’s Palace in Galveston</title>
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   <id>tag:blogs.houstonpress.com,2008:/houstoned//19.99408</id>
   
   <published>2008-05-07 12:59:02</published>
   <updated>2008-05-07 13:07:43</updated>
   
   <summary> It’s not exactly the Crime of the Century, but it’s the Crime of the Week, maybe: A griffin has been stolen from Galveston’s famous Bishop’s Palace. Investigators first had to determine a key question: What’s a griffin? It turns...</summary>
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</div>It’s not exactly the Crime of the Century, but it’s the Crime of the Week, maybe: A griffin has been stolen from Galveston’s famous Bishop’s Palace.

<p>Investigators first had to determine a key question: What’s a griffin? It turns out it’s a winged-lion thing, maybe three feet tall and made out of cast zinc, two of which sit on stands at the base of the Palace’s outside stairs.</p>

<p>Next they had to determine when the crime occurred. Which was harder than you might think, because it turns out the griffin had been missing for at least <em>five days </em>before anyone noticed.</p>

<p>The Galveston Historical Foundation reported the missing griffin this morning; GHF staff photographer David Canright then went back through recent photos he had taken.</p>]]>
      <![CDATA[<p>According to the GHF, Canright “went through the photographs he had taken at the First Impression Preview Evening Tour (the opening event of the 34th Annual Galveston Historic Homes Tour) this past Friday evening and the griffin was missing in those photographs.”</p>

<p>No one apparently noticed. First impressions don’t count for much, we suppose.</p>

<p>Anyone with information on the missing griffin – assuming you even notice it if you see it – is urged to call the GHF at 409-765-7834. – <strong>Richard Connelly</strong></p>

<p><img alt="Missing%20Griffin%20Friday.JPG" src="http://blogs.houstonpress.com/houstoned/Missing%20Griffin%20Friday.JPG" width="400" height="288" /><br />
<em>The thief, clearly a fan of </em>Raiders of the Lost Ark <em>(and red plaid), probably left that bag there to avoid tripping any booby traps.</em></p>]]>
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<entry>
   <title>Vintage Art Car Photos</title>
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   <id>tag:blogs.houstonpress.com,2008:/houstoned//19.99362</id>
   
   <published>2008-05-07 08:46:39</published>
   <updated>2008-05-07 10:04:41</updated>
   
   <summary> Check out photos from the first parade. In honor of this weekend&apos;s Art Car Parade, we&apos;ve loaded up a bunch of photos from 1988, back when the Fruitmobile was fresh and the event was but a small part of...</summary>
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      <![CDATA[<p><a href="http://houstonpress.com/slideshow/index.php?gallery=64025&type=1&page=" target="_blank"><img alt="fridamobile.jpg" src="http://blogs.houstonpress.com/houstoned/fruitmobile.jpg" width="400" height="272" /></a><br />
<em>Check out <a href="http://houstonpress.com/slideshow/index.php?gallery=64025&type=1&page=">photos from the first parade</a>.</em></p>

<p>In honor of this weekend's <a href="http://www.orangeshow.org/artcar.html" target="_blank">Art Car Parade</a>, we've loaded up <a href="http://houstonpress.com/slideshow/index.php?gallery=64025&type=1&page=">a bunch of photos from 1988</a>, back when the Fruitmobile was fresh and the event was but a small part of iFest. -- <strong>Keith Plocek</strong></p>]]>
      
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<entry>
   <title>Review: XXY, Encarnacion, Santiago and Silent Light at the Latin Wave Film Festival </title>
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   <published>2008-05-06 06:06:41</published>
   <updated>2008-05-06 10:13:34</updated>
   
   <summary> XXY I managed to catch four of the eight films screened during the Museum of Fine Art, Houston’s Latin Wave festival this weekend. I loved one, liked two others and one I, well, we’ll get to that last one...</summary>
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<em>XXY</em></p>

<p>I managed to catch four of the eight films screened during the Museum of Fine Art, Houston’s Latin Wave festival this weekend. I loved one, liked two others and one I, well, we’ll get to that last one in a bit. </p>

<p>First, what I loved: <em><a href="http://www.youtube.com/watch?v=NRDL52OE-9o" target="_blank">XXY</a></em>  by Argentine director Lucia Puenzo. The story of a 15-year-old hermaphrodite, <em>XXY</em>  follows Alex and her family as they stumble through the maze of sexual identity and societal pressures. When Alex’s mom invites a surgeon and his family for the weekend, it’s not just a social call. The doctor has come to discuss corrective surgery for Alex; trouble is Alex isn’t sure she wants to be ‘corrected.’ Neither is her father, who wasn’t aware of the doctor’s real purpose. To complicate matters, Alex and the surgeon’s son, Alvaro, fall in love. </p>]]>
      <![CDATA[<p>Ines Efron plays Alex to ambiguous perfection. Both male, female and something decidedly in-between, Efron is haunting and captivating. When a group of teenaged boys attacks Alex, her terror and desperation are all too real. At the film’s end, she says good-bye to Alvaro, played by Martín Piroyansky, with both a guarded fear that Alvaro doesn’t deserve and an element of apology because she knows he doesn’t. </p>

<p>Efron is eloquent in the film’s many silences, conveying volumes with a slight tightening of her jaw or almost indiscernible shift in her eyes. Overall, <em>XXY</em>  pushes the bounds of what we think of as a domestic drama. I loved, loved, loved <em>XXY</em>. </p>

<p><img alt="Encarnacion.jpg" src="http://blogs.houstonpress.com/houstoned/Encarnacion.jpg" width="400" height="268" /><br />
<em>Encarnacion</em></p>

<p>I liked <em>Encarnacion</em> a lot, too. Also from Argentina and with a female director, Anahi Berneri, <em>Encarnacion</em>  is the story of Erni (Silvia Perez), a former showgirl who is dealing with getting older.  While make-up might do a little something for her crow’s feet, her sagging curves aren’t so easily covered up. Still, Erni is attractive and well put together. When she goes back to her small hometown for a niece’s birthday, she’s both scorned and admired (often at the same time). To her credit, Erni remains true to herself and while the barbs sting, she doesn’t change her behavior.</p>

<p>Perez is easy to like. She quietly plays the sexpot with a low simmer, instead of a crass, trying-too-hard desperation. She’s self-sufficient and confident, both as an actress and as a character. </p>

<p>I liked <em>Santiago</em>, by director Joao Moreira Salles. A documentary about the Salles family butler Santiago years after he has retired, <em>Santiago</em> shows us a life well-lived. Filmed in his tiny apartment and the former mansion where he worked, <em>Santiago</em> is full of surprises, including the fact that the former servant has spent the last 30 years compiling an expansive genealogy of royalty from around the world, in intricate detail and four languages. Easily as cultured as the people he served, Santiago isn’t bound by the classism and ageism others try to impose on him. He has his kings and queens to keep him company, after all. </p>

<p>Okay, here’s the film I didn’t like: <em>Silent Light</em>. No, that’s not true, I just didn’t get it. Maybe ultra-refined, super hip cinephiles just have more taste chromosomes that I do or something, ‘cause I was b-o-r-e-d, bored. Filmed in Mexico, <em>Silent Light</em> tied for the Jury Prize at the Cannes Film Festival, and its director Carlos Reygadas is touted as the next big thing, but honestly, the film was completely lost on me. Set in a Mennonite community in Northern Mexico (who knew?), <em>Silent Light</em> centers on Johan, who is married to Ester, but having an affair with Marianne.  Everyone is very quiet and slow moving. Nothing much is said, hell, even the sex is slow. After a while, I started counting how long it was between spoken dialogue just to keep myself awake. I got up to two and a half minutes on one take.</p>

<p>I admit, I just didn’t get it. The rest of the audience (it was a full house) all sat attentively, seemingly riveted to the screen and it slowly unfolding story. Maybe my blood sugar was low or something. </p>

<p>If you missed Latin Wave, or just want to keep the Latin American cinema thing going, check out <em><a href="http://www.houstonpress.com/search/films.php?oid=614632">The Year My Parents Went on Vacation</a></em>,  now playing at the Anglika. – <strong>Olivia Flores Alvarez</strong></p>]]>
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<entry>
   <title>Wendy Wagner Takes Home the Hunting Prize </title>
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   <id>tag:blogs.houstonpress.com,2008:/houstoned//19.99079</id>
   
   <published>2008-05-05 15:51:56</published>
   <updated>2008-05-05 15:54:04</updated>
   
   <summary> Every year, a Texas artist receives the Hunting Prize, a cash award in “the boner-inducing amount of $50,000” (as the inimitable Buffalo Sean puts it on his blog). The results are in – this year’s recipient is Wendy Wagner,...</summary>
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</div>Every year, a Texas artist receives the Hunting Prize, a cash award in “the boner-inducing amount of $50,000” (as the inimitable Buffalo Sean puts it on <a href="http://www.houstonartblog.com/">his blog</a>). The results are in – this year’s recipient is Wendy Wagner, who recently was included in DiverseWorks’s “Flicker Fusion” exhibition. (Our own Troy Schulze dug the “ethereal narrative” of her video work; to read his review, click <a href="http://www.houstonpress.com/2008-01-31/culture/flock-to-flicker-fusion/">here</a>.) The piece that won Wagner such a tidy sum is <em>I Hope I’m Dreaming</em>, pictured right. 

<p>There’s been some chatter on Buffalo Sean’s blog about the prize, which is awarded by the oil-services company Hunting PC. Submitted works are supposed to be two-dimensional (no photos). According to the blog, artist Joan Fabian had her piece named as a finalist but was later disqualified. Jurors said the work wasn’t a painting; Fabian maintains it is. (Judge for yourself <a href="http://www.houstonartblog.com/2008/04/hunting-jumps-gun.html">here</a>.) There’s also speculation that the work was thrown out because it contains the word “war,” and oil companies are sensitive about that word. In any event, the artist has come to the conclusion that “The taste of oil barons really lacks.” </p>

<p>So, all you artistes, when applying for the 2009 prize that’s better than Viagra, stay on the safe side: Keep it 2D. Maybe stick to square and rectangular canvases. And…duh…cut the war stuff. – <strong>Cathy Matusow  </strong></p>]]>
      
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<entry>
   <title>Exclusive!  Uncovered Vanity Fair Memo to Annie Leibovitz</title>
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   <id>tag:blogs.houstonpress.com,2008:/houstoned//19.98990</id>
   
   <published>2008-05-05 11:11:04</published>
   <updated>2008-05-05 11:11:35</updated>
   
   <summary>MEMO TO: Ms. Leibovitz FROM: Vanity Fair Editors Loved your Miley Cyrus shots and they’re certainly getting us a lot of press! Esp. loved the ones that included Billy Ray. Don’t worry about controversy surrounding these current pics. It’s great...</summary>
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      <![CDATA[<p>MEMO<br />
TO: Ms. Leibovitz<br />
FROM: Vanity Fair Editors</p>

<p>Loved your Miley Cyrus shots and they’re certainly getting us a lot of press!  Esp. loved the ones that included Billy Ray.  Don’t worry about controversy surrounding these current pics.  It’s great for business plus it’s sure to die down as soon as Mariah Carery confirms or denies her marriage to Nick Cannon.</p>

<p>Wanted to take a minute to pass on possible ideas for future shots with a young Hollywood theme.  Let us know your thoughts.</p>]]>
      <![CDATA[<p>*Jamie Lynn Spears recreates your famous Demi Moore pregnancy cover, only shot in front of a trailer and with a cigarette dangling out of her mouth.  Instant classic, to be sure.</p>

<p>*Rihanna nude except with just an umbrella covering all the cute parts.  If you didn’t know, Rihanna has a really catchy song about an umbrella, so it would be perfect, really.</p>

<p>*Vanessa Hudgens has already shown desire to go nude.  How about a super artsy shot of her running down the halls of a high school (check and see if we can get the same school John Hughes used in all his flicks).  In the background we could stage Zac Efron as a hall monitor running after her looking like he’s going to ask her for her hall pass, if you get what we’re sayin’.</p>

<p>*Hilary Duff dressed like Lizzie McGuire who forgot to button her pants up all the way.  Mother probably won’t let her prizewinner pose totally nude, but sister Haylie Duff supposedly willing to do anything.  Check on that.</p>

<p>*Hayden Panettiere.  The cheerleading outfit is a natural fit.  Into saving dolphins and sharks or some such thing, so perhaps we can work in a water theme.  (Important note: She did turn 18 this year.)</p>

<p>*Lindsay Lohan.  A no go.  The girl’s been done to death.  (Pun intended.)</p>

<p>Talk soon. </p>

<p>-- <strong>Jennifer Mathieu</strong></p>

<p><br />
</p>]]>
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<entry>
   <title>Over the Weekend: Cinco de Mayo, Club 2610, Zeppelin Video Lounge, Doyle Bramhall and Roger Waters</title>
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   <published>2008-05-05 09:02:45</published>
   <updated>2008-05-05 09:25:30</updated>
   
   <summary>Happy Cinco de Mayo, y&apos;all. Wanna celebrate in an authentic Mexican fashion? As Robb Walsh learned in Matamoros, that just might entail a plate of ballpark nachos. But enough about today. Let&apos;s talk about yesterday, and the day before that,...</summary>
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      <![CDATA[<p>Happy Cinco de Mayo, y'all. Wanna celebrate in an authentic Mexican fashion? As Robb Walsh learned in Matamoros, that just might entail <a href="http://blogs.houstonpress.com/eating/2008/05/cinco_de_mayo_mexican_menu_bab.php" target="_blank">a plate of ballpark nachos</a>. But enough about today. Let's talk about yesterday, and the day before that, and the day before that.</p>

<p><strong>12:39 a.m. at Club 2610</strong></p>

<p><a href="http://houstonpress.com/slideshow/index.php?gallery=63521&type=1&page=0" target="_blank"><img alt="club2610foroverweekend.jpg" src="http://blogs.houstonpress.com/houstoned/club2610foroverweekend.jpg" width="400" height="267" /></a></p>

<p>You know the drill. We hit the clubs. We bring back photos. You look at them on Monday morning. <a href="http://houstonpress.com/slideshow/index.php?gallery=63521&type=1&page=0">Enjoy</a>. </p>

<p><strong>1:40 a.m. at Zeppelin Video Lounge</strong></p>

<p><a href="http://houstonpress.com/slideshow/index.php?gallery=63545&type=1&page=0" target="_blank"><img alt="zeppelinforoverweekend.jpg" src="http://blogs.houstonpress.com/houstoned/zeppelinforoverweekend.jpg" width="400" height="267" /></a></p>

<p><a href="http://houstonpress.com/slideshow/index.php?gallery=63545&type=1&page=0">Ditto</a>. Just like Lay's (or crack), one is never enough. </p>]]>
      <![CDATA[<p><strong>Doyle Bramhall at McGonigel’s Mucky Duck</strong></p>

<p><a href="http://blogs.houstonpress.com/rocks/2008/05/friday_night_doyle_bramhall_at.php" target="_blank"><img alt="bramhallwilliammichaelsmith.jpg" src="http://blogs.houstonpress.com/houstoned/bramhallwilliammichaelsmith.jpg" width="400" height="300" /></a></p>

<p>SRV's bud gathered an impromptu crew and <a href="http://blogs.houstonpress.com/rocks/2008/05/friday_night_doyle_bramhall_at.php">rocked out the Duck</a>.</p>

<p><strong>Roger Waters at the Woodlands Pavilion</strong></p>

<p>Hell. Yes. Floyd's former frontman let loose the flying pig. We'll have photos a little later, but for now here's <a href="http://blogs.houstonpress.com/rocks/2008/05/roger_waters_at_the_woodlands.php">a review from Classic Rock Bob</a>. </p>

<p>And stay tuned for <a href="http://blogs.houstonpress.com/ballz/basket/">Rockets </a>and <a href="http://blogs.houstonpress.com/ballz/base/">Astros </a>coverage. Arriba. --<strong> Keith Plocek</strong></p>]]>
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<entry>
   <title>Last Night: Opening Party for Latin Wave</title>
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   <published>2008-05-02 14:02:10</published>
   <updated>2008-05-02 14:08:37</updated>
   
   <summary> We&apos;ve just loaded up some photos from last night&apos;s opening party for the Latin Wave film festival at the Museum of Fine Arts, Houston. Enjoy. -- Keith Plocek...</summary>
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      <![CDATA[<p><a href="http://houstonpress.com/slideshow/index.php?gallery=63107&type=1&current=0" target="_blank"><img alt="2130008_36.jpg" src="http://blogs.houstonpress.com/houstoned/2130008_36.jpg" width="400" height="300" /></a></p>

<p>We've just loaded up <a href="http://houstonpress.com/slideshow/index.php?gallery=63107&type=1&current=0">some photos</a> from last night's opening party for the <a href="http://www.mfah.org/latinwave/default.asp">Latin Wave</a> film festival at the Museum of Fine Arts, Houston. Enjoy. -- <strong>Keith Plocek</strong></p>]]>
      
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<entry>
   <title>Slideshow: Taking Extraordinary Photos of Ordinary Life</title>
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   <id>tag:blogs.houstonpress.com,2008:/houstoned//19.98757</id>
   
   <published>2008-05-02 10:36:38</published>
   <updated>2008-05-02 10:49:05</updated>
   
   <summary> Click here for a slideshow... Ranging in age from their mid-20s to mid-60s, the students in my class at the Glasscock School brought a wide variety of expertise and equipment. Over the course of eight weeks and through a...</summary>
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      <![CDATA[<p><a href="http://houstonpress.com/slideshow/index.php?gallery=62964&type=1&page=" target="_blank"><img alt="sharon_gregg.jpg" src="http://blogs.houstonpress.com/houstoned/sharon_gregg.jpg" width="400" height="267" /></a><br />
<em><a href="http://houstonpress.com/slideshow/index.php?gallery=62964&type=1&page=">Click here</a> for a slideshow...</em></p>

<p>Ranging in age from their mid-20s to mid-60s, the students in my class at the Glasscock School brought a wide variety of expertise and equipment. Over the course of eight weeks and through a variety of  assignments, they expanded their grasp of the language of photography and hopefully made a few photos worthy of the mantel. As Confucious said, "One seeing is worth a thousand lookings." --<strong> Daniel Kramer</strong></p>]]>
      
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<entry>
   <title>Denise Richards is Getting Her Own Reality Show…Next Up, My Postal Carrier Inks a Deal with E!</title>
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   <published>2008-05-02 05:05:56</published>
   <updated>2008-05-02 05:06:00</updated>
   
   <summary> So Denise Richards is getting her own reality show on E! titled “It’s Complicated.” Why is this so? Why is Denise Richards getting her own show? Because she slept with her friend Heather Locklear’s ex-husband Richie Sambora? Because she...</summary>
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</div>So Denise Richards is getting her own reality show on E! titled “<a href="http://www.variety.com/article/VR1117980745.html?categoryid=14&cs=1">It’s Complicated</a>.”

<p>Why is this so?</p>

<p>Why is Denise Richards getting her own show?  Because she slept with her friend Heather Locklear’s ex-husband Richie Sambora?  Because she was married to Charlie Sheen?</p>

<p>Because she had guest spots on “Saved by the Bell”?</p>

<p>Because she made out with Neve Campbell in “Wild Things”?</p>

<p>Because she was in “Scary Movie 3”?</p>]]>
      <![CDATA[<p>Honestly, y’all.  I’m pretty clued into the pop culture world and all, but even I, Miss Pop Rocks, have confused Denise Richards with that chick who made all those Noxema ads a few years ago. </p>

<p><object width="399" height="330"><param name="movie" value="http://www.youtube.com/v/oaUQeP8CAEg&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/oaUQeP8CAEg&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="399" height="330"></embed></object></p>

<p>I’m all for dumb reality television (please, I’m no highbrow lady…after all, I’m writing this blog).  But we are scraping the bottom of the barrel with this show…Are the Hollywood execs that out of ideas?  What’s next?  “Life with Marilu Henner”?  “Rita Rudner’s House”?  “Catching Up with Morgan Fairchild”?  Painful.  I mean, isn’t it enough that we are forced to bear witness to Kim Kardashian and her freaky deaky family?</p>

<p>Oh, Denise.  Honey.  You don’t need to do this to yourself (or your two kids).  Wouldn’t it be easier to just move to Omaha, hide out for a few years, and come back with a new haircut and a reinvented personality?  And then perhaps you can see if Noxema is hiring.  I bet you’d make an awesome spokesmodel. –<strong> Jennifer Mathieu</strong></p>]]>
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<entry>
   <title>Sole of Houston: Richmond Avenue, Houston’s Street of Dreamz </title>
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   <id>tag:blogs.houstonpress.com,2008:/houstoned//19.98564</id>
   
   <published>2008-05-01 11:48:02</published>
   <updated>2008-05-01 12:22:19</updated>
   
   <summary> Eight a.m. to noon, The trip out, and in from Mission Bend to Westchase: David Beebe and I like to think we are great urban adventurers, veterans of what is now over 130 miles of walking the city streets,...</summary>
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<p><strong>Eight a.m. to noon, The trip out, and in from Mission Bend to Westchase</strong>: David Beebe and I like to think we are great urban adventurers, veterans of what is now over 130 miles of walking the city streets, and many hundreds more miles logged on the city buses. In other words, this shit ain’t exactly new to us. But in our most recent installment of the Sole of Houston, we acted like a couple of noobs. </p>

<p>The plan was to meet at my house near the Palace Lanes on Bellaire and walk down to Stella Link, catch the southbound #68 bus and head out to the West Loop Transit Center near Meyerland, and then transfer to the #33 South Post Oak bus, which would deliver us out to Hiram Clarke Park and Ride. We would walk back in from there all the way to Allen’s Landing and our customary two Martini celebration at Warren’s.</p>

<p>Beebe arrived at the house about eight a.m., clutching a hilarious campaign poster for his bid for Marfa City Council. It was a very nice day, absolutely the best weather we’ve had for one of these walks – mid-60s, low humidity, not a hint of rain. </p>

<p>We decided to walk down to the West Loop Transit Center, so we headed down Academy to Brays Bayou and followed it as it wound its way southwest. </p>

<p>The #33 bus arrived almost immediately after we made it to the George R. Brown-looking transit center. “Perfect timing,” Beebe said. We lined up to get on and Beebe’s face sank. “Man, I can’t believe I did this,” he said. “I’ve got like $90, but the smallest I have is a ten. I’m gonna have to pay ten bucks for the bus.”</p>]]>
      <![CDATA[<p><img alt="Colombian%20Van.JPG" src="http://blogs.houstonpress.com/houstoned/Colombian%20Van.JPG" width="400" height="300" /></p>

<p>I told him he might be able to use my Q Card, but the driver told us that wouldn’t work.</p>

<p>“Anybody got change for a ten?” Beebe asked the bus in general. Miraculously, an older Mexican man said he didn’t but that he would just pay Beebe’s fare. </p>

<p>“We’re just getting started and I’ve already thrown myself on the kindness of strangers,” Beebe muttered to himself. “I haven’t forgotten to bring a dollar bill since high school.” (Fittingly, he was wearing a shirt that said “Lamar Redskins 1989” that he had owned since then. Maybe he was wearing that very shirt the last time he made that mistake.)</p>

<p>The bus eased into traffic on Braeswood and headed west. At South Rice, it turned north. “This bus is going all over the place,” I said. “It looks like we’re headed to Bellaire Transit Center.” We’ve had good luck there in the past, as weirdoes and freaks (burned out old punks and former Leon’s barmaids and the like) seem to congregate there. But no weirdoes or freaks got on, and as the bus headed out of the station and headed north on South Rice, it dawned on me that we had made a huge mistake. </p>

<p>“Man, we’re headed the wrong way,” I said. “This bus is heading for the Galleria.”</p>

<p>“Gosh, you’re right,” Beebe said. (He is trying to give up cussing.) “I don’t believe it. Some great travelers we turned out to be. Well gol-lee, what’s plan B?”</p>

<p>Plan B is we stop acting like idiots.</p>

<p>“Well, we might as well just head out Richmond, I guess,” I said. “That’s one we’ll have to scratch off the list one of these days.”</p>

<p>So Richmond it was. The 33 dumped us off in front of Stelios’s Greek Deli / Ekko gas station, which was a stroke of luck. Greek or not, they dish out a mean breakfast taco. I think there were three whole scrambled eggs in mine. Half an hour later, we boarded the #25 Mission Bend Richmond bus and were finally on our way.</p>

<p>Towards the end of the line, the bus turned left off Richmond and into a weird suburban residential neighborhood. Ashford Point, the street we were on, was bisected by a greenspace in which there was a sunken trail, which ducked under the streets in little tunnels. </p>

<p>And then there was… this <em>thing</em>, this sprawling empty complex, this five-story square building topped by a 40-foot golden geodesic dome, flanked by two smaller domes. Two exterior staircases flanked these orbs – the overall effect was something like a sawed-off Mayan temple of the sun.</p>

<p>The whole compound was ringed by an iron fence, and then there was another huge fence around the entry to the building. The vast parking lot was empty, and there were no signs nor apparently even a mailbox. It was completely surreal. Neither Beebe nor I had a clue what it was – Beebe thought it might be the private residence of a very weird Arab sheik. I thought at first that it might be a mosque, but it didn’t look much like one closer up. </p>

<p>In fact, it looked more like <a href="http://i181.photobucket.com/albums/x277/maroonedincancun/GoldGlobe2.jpg">Hank Scorpio’s World Domination Command Bunker </a>or something… </p>

<p>I did some Googling the next day and found it was known variously as the Tien Tao temple and Chong Hua Sheng Mu Holy Palace. Apparently, it was the unfinished headquarters of an Asian religious sect whose leader was summarily deported back to China eight years ago, and without its leader, the sect’s headquarters has been abandoned. (Oddly enough, the INS case worker’s name was David Beebe.) The building now pretty much defines white elephant, but I guess you could say it is one of the most unknown of Houston’s odd places.  </p>

<p>Mission Bend Park and Ride, end of the line for the 25, is the same starting point from which Beebe and I sallied forth down Bellaire about a year ago. This time, we headed north onto Eldridge Parkway, which is a ground zero for the massive Brays Project flood control endeavor. There will soon be streams, trails and scads of lake-sized retention ponds out here, but right now it’s boring.</p>

<p>And so are the outer reaches of Richmond Ave. All the way down to Dairy Ashford, it’s one long monotonously pleasant stretch of brick walls and pin oak-lined medians, more akin to Sugar Land than southwest Houston. </p>

<p>At the corner of Dairy Ashford, Richmond serves up a classic vista of suburban H-Town generica, a celebration of our entire city’s overplayed catalog – there’s a  Valero, a CVS, a gas station and a bank. We cracked our first beer of the day in front of the CVS. Hey, it was almost noon, which is a late start for us.</p>

<p><strong>Noon to six p.m., Gessner to the Loop</strong>: And then there’s another boring residential stretch – this one with few trees -- that carries you on down to the southern edge of Westchase. </p>

<p>Somebody must have really loved Greenway Plaza, because it is perfectly replicated out here with this canyon of tedious glass-sided mid-rise office buildings and landscaping fantasias. The whole area seems to house little else than companies that do nothing but send you electric bills. Well, that, and weird schools with names like American Intercontinental University and the geographically challenged, deviously named River Oaks Academy.</p>

<p><img alt="shoppingcartlomax.jpg" src="http://blogs.houstonpress.com/houstoned/shoppingcartlomax.jpg" width="400" height="300" /></p>

<p>And Richmond continues like this until east of the Beltway, east of Gessner, where the feel is very much in the Sharpstown vein. To pass the time, we tuned into Wash Allen’s Confessions on KCOH.    </p>

<p>Caller: “Wash, me and my lady been going out for about six months.” </p>

<p>Wash: “You say you’ve been dealing with this lady for about six months?” </p>

<p>Caller: “That’s right. A while back, we got talking about our sexual fantasies, and she asked me what mine was. I told her I wanted to have a ménage a trois, a threesome. It wasn’t a big deal, and I didn’t think anything would come of it. I just said that was maybe something I might like to try.”</p>

<p>Wash: “There are many men who find the idea of two women engaging in activities of that nature interesting as a philosophy.”</p>

<p>Caller: “But then my birthday came around, she got on the Internet and she set it up. So we did that and it was pretty good, no big deal, and then-” </p>

<p>Me: “I don’t believe it, he just totally yada-yada’ed the threesome.”</p>

<p>Caller: “-and now that’s all she wants to do. Today, Wash, she wants to have threesomes all the time, and sometimes she wants to have sex with women with me not even there.” </p>

<p>Beebe: “Hah! Be careful what you ask for!”</p>

<p>A few minutes later, Wash threw open the phone lines open to the Soothsayers, which is what he terms the show’s call-in audience.</p>

<p>Sooothsayer #1: “That woman played that man! She was wanting to get it on with women the whole time. She put that threesome idea in his head and then made him think it was his idea all along.”</p>

<p>Me: “Uh huh. Speak on!”</p>

<p>Soothsayer #2: “All women want to be with other women. How could they not, if they see women through the same eyes I do?”</p>

<p>Beebe: “Yep, that’s the way I see it. If I was a woman, I would be a lesbian.”</p>

<p>Soothsayer #3: “This man better not make this woman his wife. She’s a freak. She’s alright on the side. But you keep a woman like that in the trunk of your car like a spare tire. You just get her out when you need her.”</p>

<p>And so on. It certainly relieved the monotony of outer Richmond. It’s only at Gessner that Richmond finally starts having some street life.</p>

<p>Of course, this being southwest Houston, the street life takes the form of strip malls. Out here, they house much of the Colombian and Venezuelan night life in Houston, and we also saw Cuban, Peruvian, Jamaican and Chilean restaurants and/or clubs. We popped in the Blue Nile Ethiopian Restaurant and Bar for a beer. I clearly ordered a Bud for Beebe and myself but was given one Bud and one Beck’s. Other than us, the clientele was all-Ethiopian, the staff all Latin. </p>

<p>We sauntered over to a liquor store for a half-pint of Sauza silver tequila, which would serve us well down the road. The staff here was weird – two Indian guys, one of whom looked like a Speed Racer villain with his smoked sunglasses and reddish spade beard, who passed their days serving up booze and watching Pat Robertson’s<em> 700 Club</em> on TV. </p>

<p>Next we came upon one of the only Huddle Houses in Houston. “Open 24 hours” said one sign on the outside. “Eat what you want, when you want,” declared another. A third, on the door, said it was only open for breakfast and lunch on weekends, and then a fourth hand-scrawled one, said it was closed altogether because, and I quote, “of energy problems.” </p>

<p>By now we were approaching Fondren and that world-famous, drive-thru beer barn. Just next door, there was a ramshackle white house surrounded by log piles, all scented by the fragrance of smoked brisket. Under an old oak tree there sat an ancient black man wearing Dickies overalls and a feed store hat. Back here, there was a whole neighborhood of such houses. Richmond had thrown us a doozy of a curveball.</p>

<p>Back in 1982, Jan Morris, the Welsh travel writer for whom the word “indefatigable” seems to have been invented, spent five days in Houston and wrote for <em>Texas Monthly </em>one of the most remarkable essays about Houston I have ever come across. </p>

<p>Generally speaking, she found the city overly smug about stuff like the Alley Theatre and other such commonplace metropolitan institutions. She longed to be surprised by the city a little more. As she wrote:</p>

<p>“Look at the place as I did, through the traveler’s eye. There lies the grid of old downtown, as it lies everywhere else in America, towered over now of course by the conventional clump of skyscrapers, some plain and ugly by Hankmore, Scribbles, Fujiyama and Olsenjohn Associates, some slant-wise and beautiful by Phillip Johnson, all sheathed in those mirrors and tinted windows, which make them look, as modern skyscrapers must, utterly unfrequented by sentient beings. There are the usual frenzied ring roads, upon which citizens here, like citizens everywhere else, earnestly advise you not to venture – Houston’s rather bumpier than most, I think, and less intelligently planned than some, but all in all much as you will find them in L.A., Chattanooga, or for that matter Paris, France. There to the west extend the standard interminable suburbs, the rich here, the poor there, the academics in the middle, interrupted occasionally by incipient lesser downtowns and institutions medical, sportive or touristical. Houston is perhaps more splurgy than its peers because it has done without zoning laws, and it is certainly greener because of that irrepressible foliage; but in its domestic and commercial shape, style and pace it is nothing very special. Astonish me!”</p>

<p>As exceptions to the banal here she cited Jamail’s grocery, the Astrodome at night, the replica of Albert Thomas’s office in his namesake convention center, the downtown tunnels, the “concentrated opulence of River Oaks,” and the sight of a bunch of prosperous middle-aged housewives dutifully learning to ice-dance to “Deep in the Heart of Texas” at the Galleria ice rink.  </p>

<p>Obviously, the Houston of 2008 and the Houston of 1982 are almost completely different cities. (And it’s a pity nobody took Morris to the Orange Show and the Beer Can House back in ‘82.) </p>

<p>Take Morris’s six surprises: Jamail’s is gone, and one wonders what Morris would make of one of the larger Fiesta Marts or Central Market. The Dome is moribund, seldom if ever illuminated by night, and now dwarfed by Reliant. Albert Thomas’s office has been moved, I think, to the Chase Bank building downtown, and the convention center that bore his name is only a memory. The concentrated opulence of River Oaks has only intensified. I don’t know for sure but I somehow doubt that you often hear “Deep in the Heart of Texas” in the Galleria anymore – it’s too hicky for that <em>tres chic</em> outpost of wanna-be L.A.-ism. Only the tunnels remain their labyrinthine, sterile, subterranean airport-terminal selves.</p>

<p>But Beebe and I have been astonished many times on these walks. Hong Kong City Mall on Bellaire, tucked away behind a nondescript parking lot; the hippy colony in Fifth Ward; a hip art gallery on Harrisburg and a sculptor’s studio a couple of blocks from Hobby Airport; the industrial ruins of Clinton Drive; the graveyard in a tire shop parking lot and the 150-year-old German church on Long Point; the folk art cobbled together by mechanic-artisans in front of many a muffler, tire and transmission shop all over town; the Vietnamese village apartment complex on Broadway; and hell, the vacant temple out near where Richmond Avenue begins on this very trip. It’s only when you take this 70 mile an hour city at our snail’s pace, only when you venture out of your village within the city, that you discover this stuff. And we were about to be astonished again.</p>

<p><img alt="pineypointlomax.jpg" src="http://blogs.houstonpress.com/houstoned/pineypointlomax.jpg" width="400" height="300" /></p>

<p>Beebe and I nodded to the old man under the oak tree. I remembered back from my high school days that this part of Richmond, and Westpark to the south, seemed older than the rest of its surroundings. And blacker. We decided to do a shot of tequila and talk to the old man under the tree.</p>

<p>But first we met his family. Gordon and Linda Fay, a younger man and woman, but still probably in their fifties, sat under an awning, tending the barbecue pit and drinking Miller Genuine Draft, while a plump young boy sat nearby. We told them we were walking around town collecting stories and asked about their neighborhood.</p>

<p>“This place was its own town once,” said the man. “Used to be called Piney Point, but then they built that other one up off Memorial. Ask Nathan over there, he’ll tell you more.”</p>

<p>Nathan was the old man. He was 85 years old, and he’d been living here, near the corner of Jeanerette and Richmond, since 1944. He’d come here from Brookshire. He was friendly, but didn’t seem too eager to tell his life story, and when we asked to take his picture, he demurred.</p>

<p>“I might be on a wanted list,” he said with a twinkle in his eye.</p>

<p>So here we were in yet another little village that had long ago been swallowed by Houston, so much so that it even almost lost its very name. Across Richmond, the plaque on Pilgrim Rest Missionary Baptist church announced that the church had been on that spot since 1865, though this building had been here since only 1965. </p>

<p>We tried to explore the town a little more, but within seconds, found ourselves in yet another Houston. (Though oddly, the smell of barbecue would linger all the way inside the loop.) The houses were still old and ramshackle, but these were now occupied by Mexicans. A few minutes later we found ourselves on a raggedy block of Fondren and headed back up to Richmond, which was by then, rapidly becoming the Richmond Strip of 1990s boom days.</p>

<p>In a beautifully written <a href="http://www.houstonpress.com/1993-12-30/news/on-the-edge-in-edge-city"><em>Press</em> article from 1993</a>, Brad Tyer attempted to encapsulate What The Richmond Strip Meant. Tyer erroneously predicted a long and healthy future for the Strip, and at that time, that seemed a safe bet. Who would then have predicted that downtown, Midtown and Washington Avenue would pretty much K.O. Richmond? </p>

<p>As Tyer wrote: “It's also the place to get fed, tanned, and if the sparkle in the eyes of most patrons has any basis in fact, the place to get laid. The Richmond Strip has developed over the course of the past decade into a true entertainment district, a place to be and be seen, Houston's urban-sprawl equivalent of Sixth Street in Austin or Beale Street in Memphis or New Orleans' French Quarter -- part local destination and part tourist trap, offering sensory overload in exchange for dollars.”</p>

<p>Today, Richmond is Houston’s Street of Dreamz. With a “z.” In the Richmond Dream, every night is industry night. It’s a life of, as Wash Allen from KCOH would put it, “dealing with” strippers, or dealing with the kind of guys who are attracted to dealing with that sort of thing. As a philosophy. It’s full of apartment poolside parties, bad cocaine, the occasional dose of clap, tanning bedz, jello shotz, big ass beerz, and cold Jager machinez. (Beebe and I invented a drinking game – every time we saw a “z” used where an “s” should be, we had to do a shot of tequila. After we passed “Smoke Dreamz”, “Mary’z Lebanese Food” and a shop peddling “grillz”, the little bottle was dry.)</p>

<p><img alt="grillzlomax.jpg" src="http://blogs.houstonpress.com/houstoned/grillzlomax.jpg" width="400" height="300" /></p>

<p>This entire dream is scored by a hit parade of ‘90s music. Everywhere we turned on Richmond, all day long, we were bombarded by the sounds of the Beastie Boys, Helmet, Pearl Jam, Radiohead’s “Creep,” Nirvana, Live, Lit, Tonic…This was the music of the Strip’s heyday, and it almost seems like today’s Richmond Strip denizens believe that if they play enough ‘90s rawk, if they recite this litany of sacred incantations, the glory days can be conjured into being again. <em>Unh!</em> You’re unbelievable!</p>

<p>Somehow, a lot of the people you would see in Richmond bars looked like (and apparently dug the same music) as the virtual rock fans on Guitar Hero and Rock Band. The Richmond Strip is day-glo. Faded day-glo.</p>

<p>“This is the cheesiest street in Houston, in my opinion,” said Beebe, taking in the scene somewhere east of Hillcroft and west of Chimney Rock. “Can you think of a cheesier street?” </p>

<p>No, I can’t. Hell, the epicenter of H-Town cheese is the corner of Fountainview and Richmond. A four-story, day-glo, red, white, turquoise, and tan building looms over the southeastern corner there, and it houses a Sprint shop, a little downstairs bar with the godawful name Identity, a scalper’s office, a massage therapist, and a huge Darque Tan outlet. </p>

<p>Sure, Westheimer’s got some cheese, and is a little tattered around the edges in spots, but there’s a veneer of gentility as expressed by old-line businesses like Christie’s Seafood. Richmond, by contrast, used to have that sub-Landry’s fried seafood emporium King Fish Market, which despite the incessant awful commercials that polluted local airwaves circa 1999, is now out of business and practically in ruins. The whole lot of it is a great vat of rancid Velveeta.</p>

<p><img alt="kingfishlomax.jpg" src="http://blogs.houstonpress.com/houstoned/kingfishlomax.jpg" width="400" height="300" /></p>

<p>As is much of the Richmond Strip. That giant sax outside of Billy Blues is looking more and more like the torch sticking out of the sand at the end of Planet of the Apes. </p>

<p>It’s hard to even find where the likes of Yucatan Liquor Stand and Club Blue Planet once stood, but that huge 6400 building still stands in yet another incarnation. Hell, it’s practically historic today. (It even has its own <a href="http://en.wikipedia.org/wiki/Club_6400">Wikipedia entry</a>.) After lives as the new wave/dance pop/ecstasy den Club 6400 and the ruinous Rockefeller’s West, the building has since housed Peter’s Wildlife, 6400 Sports Café and as predominantly Mexican hip-hop club T-Town 2000, it is now home to Planeta Bar-Rio, where trance DJs now spin their tired late ‘90s mixes. </p>

<p>As Tyer noted, turnover is nothing new on Richmond. “Buildings that house the present establishments often metamorphose at least every few years into new uses. Gold's Gym used to be a Best Products outlet. Rockefeller's West, soon to be Bayou City Theater, lived past lives as Texas Live and 6400, among others. When what the people want changes, as it invariably does, those who hope to cash in are forced to follow suit, and that gives the Richmond Strip an unsettled quality that is quintessential Houston, a young boom-and-sometimes-bust town that's still fighting a day-to-day battle with its own growing pains.”</p>

<p>And it seems that Houston no longer really wants the Richmond Strip. Sure, a few holdovers from the glory days remain, such as the Sam’s Boat empire, Centerfolds, La Bare (where “Cannon” from New Orleans is scheduled to appear), Dave and Buster’s and so on, but you think that all of these place would leap at any favorable lease they could get inside the loop. Maybe as downtown becomes more respectable, it could be reborn as something like Houston’s Red Light District. Steer all the jiggle joints and jerk shacks over there and charge admission to the whole “zone.”</p>

<p>“If Richmond seems to you soulless, it's because Richmond is not where you've made your memories,” Tyer continued. “But there are thousands of people making their memories on Richmond Avenue every night. This is where the action -- such as it is -- is, and Houston is too young, too fast and too big for nostalgia.”</p>

<p>Today, it seems the main body of people – Anglo people, anyway -- making their memories on Richmond are the same ones who were there in Tyer’s day, only now they go to Sam’s to meet their second wife. And to listen to Pearl Jam tribute bands, or maybe they got to Planeta to hear Paul Oakenfold mixes and remember their lost youth at the legendary raves that vanished here forever circa 2001. </p>

<p>And by night, it’s become a gangsta-riffic version of Westheimer in the ‘80s, wherein people cruise aimlessly in their cars up and down in search of fucking or fighting or both. In <a href="http://www.houstonpress.com/2003-07-17/music/richmond-s-burning/">a 2003 article</a> I wrote in the <em>Press</em> I took note of the then alarming rise in crime on the Strip and talked to Rice sociology professor William Martin about it. I believed that the combination of guns and cars made for a bad mix. Martin said there was more to it than that. He seemed to think the whole idea behind the Richmond Strip was doomed to failure from its inception.</p>

<p>"And I imagine some of those people might have been drinking, too," Dr. Martin said. "That's clearly our most dangerous drug, and guns and cars are two of our most favorite artifacts, both of which can be deadly. When you combine all three, you've got a potentially violent combination. Not potentially, that's real. You mix alcohol, guns and cars -- all three of those have been killing people for a long time." </p>

<p>Add those three ingredients to our stewpot of a climate, and things get even worse. "One of the reasons that the Southern and Southwestern states have higher murder rates is that we don't get the benefit of low winter rates," Dr. Martin noted.</p>

<p>And then there was Latin machismo. I spotlighted a bunch of then-recent shootings in the article, all of which had as victims people with Hispanic surnames. (Where apprehended, so did the perpetrators.) "Anytime you have a people -- white, black or Hispanic -- whose culture calls upon them not to take slights against their manhood, well, you're not gonna get away with that,” said Dr. Martin. “If you have guns, cars, alcohol and people who don't respond well to perceived slights, that's a very volatile combination."</p>

<p>So, the Richmond Strip was doomed by its very Houston-ness, in other words.</p>

<p>Beebe and I had beers in a few of the places down there. The Hideaway on Dunvale, housed in what looks like it might have been an old country church or feed store once upon a time, is a perfectly pleasant place to quaff a pitcher, and even Dave and Buster’s has some charm. (Even if you feel like you are drinking in a mall.) Beebe was very impressed, covetous, even, of their reproduction shuffleboard sets. </p>

<p><strong>Six p.m. to midnight, Inner Loop Richmond</strong>: Cheez Richmond peters out around Sage, and after a block or two of Galleria Extended vibes we were inside the loop again in Afton Oaks. This hotbed of anti-rail activity has always seemed to me a place for adults who never quite gave up on college life, specifically, Greek life at state universities. There’s a kind of frat house feel to restaurants like Luling City Market (for UT grads) and the Ragin’ Cajun (for the LSU folks) that permeates the entire area. For a well-heeled residential area, it feels boozy, not just because of the aforementioned restaurants but also the bars and the big liquor store there. </p>

<p>The Richmond Chill bar, where we stopped in for a pitcher, was full of frat-y looking dudes. I got talking to a woman – a graphic designer from Pearland -- outside in the smoker’s area and she asked why I was so sunburned. I told her that Beebe and I had walked there from Eldridge and that we were walking downtown from here. She seemed more impressed by the downtown part. I told her I was a writer and Beebe was a musician. “Let me go get my beer,” she said. “You guys are a lot more interesting than the people in there.” Well, we know that.</p>

<p>After Afton Oaks came the long trudge through the tedium of Greenway Plaza and then the nether zone around Kirby. Here at last, Richmond started to get funky. There’s the infamous Didy’s Sports Bar. (If you don’t know, you better ask somebody.) By now, all its windows were boarded up, though it was still open. Outside the Davenport, psycho vato-billy, Scarface confidant and 2007 Houston Press Music Award winner Jaime Hellcat was holding court at a table full of smokers.</p>

<p>Beebe and Hellcat reminisced about Ram Ayala, the goat-stubborn, curmudgeonly owner of San Antonio club Tacoland who was killed in a robbery along with two other employees three years ago. If you won Ayala’s esteem, he would offer up a bottle of liquor and say, “Don’t be a pussy, kiss the baby.” So in Ayala’s honor, Hellcat took us inside, walked behind the bar and poured us all shots of Jagermeister. “To Ram,” we said, and poured ‘em down the hatch. (For more stories about Ram, check out <a href="http://tacolandstories.blogspot.com/">this blog</a>.)</p>

<p>And after that it all gets a bit blurry. There was a long interlude in LZ’s Pub, which is a cool bar I never seem to go to for whatever reason. Then there was a shorter one in Ruthie’s. I can never figure out how that joint stays in business – I lived in that neighborhood for many years, most of which I spent erroneously believing Ruthie’s to be a lesbian sports bar. Just outside we bought some tacos at taco truck Oaxaca and thus fortified, continued on down the now red-brick sidewalks to Wheeler Station and journey’s end. – <strong>John Nova Lomax</strong></p>]]>
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<entry>
   <title>Sole of Houston: Richmond Avenue Facts</title>
   <link rel="alternate" type="text/html" href="http://blogs.houstonpress.com/houstoned/2008/05/sole_of_houston_richmond_avenu.php" />
   <id>tag:blogs.houstonpress.com,2008:/houstoned//19.98545</id>
   
   <published>2008-05-01 11:04:44</published>
   <updated>2008-05-01 12:08:33</updated>
   
   <summary> This week, David Beebe and I tackled Richmond, from the Mission Bend Park and Ride to the Wheeler Station on the light rail. I’ll have the full story up in a few minutes, but here’s a little something to...</summary>
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         <category term="Sole of Houston" scheme="http://www.sixapart.com/ns/types#category" />
         <category term="Spaced City" scheme="http://www.sixapart.com/ns/types#category" />
   
   
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      <![CDATA[<p><img alt="cottonmouthlomax.jpg" src="http://blogs.houstonpress.com/houstoned/cottonmouthlomax.jpg" width="400" height="300" /></p>

<p>This week, David Beebe and I tackled Richmond, from the Mission Bend Park and Ride to the Wheeler Station on the light rail.</p>

<p>I’ll have the full story up in a few minutes, but here’s a little something to whet your appetite.</p>

<p><strong>Richmond Ave, by the numbers </strong></p>

<p>Bars stopped in: 6  </p>

<p>Dangerous wild animals seen: 1 (Well, we think we saw a cottonmouth in a drainage ditch.) </p>

<p>Stray shopping carts: about 30 (an all-time record, we believe)</p>]]>
      <![CDATA[<p>Cheez factor: elenty billion to the zillionth power</p>

<p>Pile of women’s undergarments found by side of road: 1, near Sage</p>

<p>Years ago the Richmond Strip peaked: 13</p>

<p>Strippers seen on way to work: 2</p>

<p>Shots of tequila consumed due to misuse of the letter “z” on signs: 3 each</p>

<p>Derelict Chinese temples found: 1</p>

<p>Still-living 143-year-old African-American hamlets discovered: 1</p>

<p>Times flipped bird for no reason at all: 1</p>

<p>Overplayed ‘90s songs heard: about 75</p>

<p>-- <strong>John Nova Lomax</strong></p>

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