It's Houston Livestock Show and Rodeo time! Tomorrow's Go Texan Day and Saturday's the parade. Certainly some of you out there are looking forward to watching musical acts from 200 feet away and the lingering smells of hay, manure, and sweaty, sweaty cowboys. So sit back, kick your boots off, and get in that rodeo spirit with some of cinema's best parades.
5. Hello, Dolly! (1969) It probably isn't fair to blame Barbra Streisand for the death of the big-budget movie musical, and the total lack of any for almost ten years following Hello, Dolly! is probably a coincidence. But still, any time you can blame Babs for something, you really should.
4. The Fugitive (1993)
It's a purely academic question, but one can't help wonder if Dr. Kimble would have escaped so easily into a St. Patrick's Day parade had he been gay.
3. The Music Man (1962)
It's to Robert Preston's credit that more people have probably seen the monorail episode of The Simpsons than the movie upon which it was based. Such is Preston's monument, and perhaps it would not have displeased him.
2. Ferris Buellers's Day Off (1986)
He didn't get arrested for jumping on a float His man Cameron's got a...jersey like a billy goat
If you were lucky enough to see this at a certain age -- like, say mid-high school like me -- this scene was enough to convince you you'd be a timid failure at everything you ever attempted.
1. Animal House (1978)
The top spot has to go to the Faber College homecoming parade, with its swashbuckling John Belushi, 10,000 marbles please, the mayor goosing the dean's wife, and Kevin Bacon in full-on freakout mode.
> But still, any time you can blame Babs
> for something, you really should.
While you're blaming her, get the just-released DVD of Yentl and blame her further for blazing the trail for female multi-taskers in today's film and music industries.
Barbra was magnificent in all her musicals. Eat your heart out. She is glorious.
I totally agree with BabsFan and Mike Kendal here (though I'm guessing from the name BabsFan isn't exactly an impartial observer, lol). Hello, Dolly! was a fantastic film and the "death of the feature-length musical" should not be blamed on Barbra.
As much as I love Hello, Dolly!, though, I think it isn't even her best musical. I think <a href='http://yentl.yoozur.com/track/clickthru/text'>Yentl</a> was absolutely fantastic. A classic if you ask me.
Streisand didn't kill anything. In the 60's, 70's and 80's she was the only female box office draw and raked in over 100 million for A Star is Born - her next musical after Hello Dolly. She was smart enough to know the times had changed and she changed with them. A Star is Born made made more money then Cabaret, Hair, Jesus Christ Superstar, At Long Last Love, Xanadu and several other 70's and 80's musicals put togehter.
It shouldn't be in the Top 5, but what about the Feast of St. Mary Parade in "Godfather II?"
HELLO, DOLLY! was directed by Gene Kelly and produced by Ernest Lehman. It followed other big-budget musical flops like PAINT YOUR WAGONS and STAR! with Julie Andrews. Although DOLLY was a disappointment for 20th Century Fox, which was already in financial trouble -- not *because* of DOLLY -- it certainly didn't kill the movie musical.
If anything, the changes in the times killed the musical (i.e. the Beatles, Rolling Stones, and ROCK).
In the 70s, the movie musicals which *were* filmed were HAIR, JESUS CHRIST SUPERSTAR and GODSPELL. And "realistic" musicals were filmed, like CABARET and LADY SINGS THE BLUES.
Most people who write about how HELLO, DOLLY! was a flop have never even seen it. It's actually a good movie, very enjoyable. And Streisand -- although admittedly too young for the role -- is charming and sings the songs beautifully.
Love your #1
"REMAIN CALM! ALL IS WELL!"
Peter - Your remarks about Streisand prove how infantile your writing is. (and no, it's not humorous at all).