Action painter Trey Egan channels personal emotion and the pain of creative or financial frustrations, amplified by super loud electronic music, to produce multi-layered oil paintings of non-objective physicality in his "Signal Chamber" exhibit at McMurtrey Gallery.
Photo by Trey Egan Worlds Apart; Days Turn Into Night
Egan has an uncanny ability to portray depth, with his layering process of earlier stages of flatter, natural tones, followed by later stages of spot-putted saturated colors. He is fascinated by the mechanics of music production, likening his work to the stacking of similar elements to achieve a more powerful outcome. There is a busy-ness to his works, a continuity of his pre-2011 crowds of people, but he has since realized that the subject matter is less important than the energy and controlled chaos of thoughtfully placed shapes and color.