Photo by Pin Lim Cassandra Wilson during the Da Camera's 2012/13 season at the Cullen Theater.
No matter how great you think your music room is, Rick Mitchell's is better. Way better.
The longtime local journo--who spent a decade as the jazz and pop writer for The Houston Chronicle and even longer as the Artistic Director for the Houston International Festival--settles into a comfy, well-used easy chair in the center of an area the size of a small apartment at his home.
The visages of Mick Jagger, Bob Dylan, Dizzy Gillespie, and - oddly - the boys from Hanson in their teen dream prime stare down at his stereo setup (featuring two 1972 huge Infinity speakers) and a full drum kit. Bookshelves groan with music tomes. And around him are shelves lined with thousands--maybe tens of thousands--of CDs, cassettes, and vinyl records, so many that they spill onto the floor, albeit in neat piles.
A good chunk of that music is jazz titles. Appropriate, since Mitchell is here to talk about his latest book, Jazz in the New Millennium: Live and Well (160 pp., Dharma Moon Press, $24.95/$9.99 e-book).
In it, he collects close to 60 profiles culled from his program notes and interviews of jazz musicians who have all performed at Da Camera of Houston's jazz series since 2000.